Belly Dancing Classes In Earl Shilton, Leicestershire England
Welcome to the captivating world of belly dance classes in Earl Shilton, Leicestershire England!
Picture yourself swaying gracefully, like a shimmering goddess, as the music fills the air. In these enchanting sessions, you will embark on a journey that celebrates femininity, self-expression, and body confidence. The rhythmic movements of belly dance not only tone your core muscles but also unleash your inner sensuality.
Throughout the belly dance lessons offered at our Earl Shilton location, you will learn an array of techniques, including shimmies, waves, and independent movements, that will enhance your coordination and flexibility. Expert instructors will guide you through each step with patience and precision.
As you delve deeper into this ancient art form, you’ll discover various styles of belly dance such as Raqs Sharqi, Anatolian, and Modern Fusion.
So put on something comfortable yet alluring – maybe even a flowy skirt or hip scarf – and get ready to immerse yourself in the magic of belly dancing lessons. Let loose, embrace your femininity, and ignite a fire within that will keep burning long after the music stops. Join us for an truly memorable experience!
What Is Belly Dance?
Belly dance, also known as the ancient art of Raqs Sharqi, mesmerizes with its flowing movements and elaborate choreography. This spellbinding dance form has a rich history that dates back eons. Originating in the Middle East, belly dance has become popular worldwide and has evolved into various styles.
When exploring belly dancing origins and history, you will discover influential dancers who have left their mark on this art form. From Samia Gamal to Dina Talaat, these renowned belly dancers have showcased their exceptional skills and charisma on stage, inspiring generations to embrace this captivating dance.
One cannot discuss belly dancing without mentioning the stunning costumes that accompany it. Adorned with sequins, coins, and bright fabrics, these outfits enhance the dancer’s movements and add an air of allure to the performance.
Another crucial element of belly dancing is the music. The rhythmic beats of traditional instruments like the tabla create an spellbinding ambiance that transports both dancers and spectators into a world filled with passion and sensuality.
Besides its aesthetic appeal, belly dancing offers numerous benefits for both body and mind. It improves flexibility, strengthens core muscles, enhances posture, boosts self-confidence, relieves stress, and promotes self-expression.
Now that you’ve delved into the captivating aspects of belly dance culture, let’s explore how you can experience this enchanting art firsthand through belly dance classes.
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Earl Shilton Belly Dancing Classes
If you’re interested in learning the art of belly dancing, there are a variety of classes available in Earl Shilton to suit your skill level.
- Beginner belly dance classes provide a foundation for mastering basic movements and techniques.
- Intermediate belly dance classes build upon these skills, allowing you to further refine your technique and learn more complex choreography.
- Group belly dance classes offer a fun and supportive environment where you can dance alongside others who share your passion.
- Private belly dance classes provide personalized instruction tailored to your specific needs and goals.
The average cost of belly dance classes varies depending on the location and instructor, but investing in these classes is well worth it for the joy and confidence that come from mastering this captivating art form.
Beginner Belly Dance Classes In Earl Shilton, Leicestershire
Get ready to shimmy and shake your way into the world of belly dance with our beginner classes that will have you feeling like a graceful goddess in no time! In our beginner belly dance classes, we will teach you all the essential techniques to get started on your belly dance journey. You’ll learn the basic movements such as hip drops, shimmies, and figure eights, while also exploring the rich history of this mesmerizing art form.
We’ll delve into the origins of belly dance and introduce you to famous belly dancers who have contributed to its popularity throughout the years. Immerse yourself in the captivating rhythms of belly dance music and discover how it enhances your movements. And of course, we’ll guide you in selecting beautiful belly dance costumes that make you feel confident and elegant. So get ready to take your skills to the next level as we transition into our intermediate belly dance classes.
Intermediate Belly Dance Classes In Earl Shilton, Leicestershire
Prepare to be mesmerized as you delve deeper into the enchanting world of belly dance in our intermediate classes, where your movements will exude confidence and grace. In these classes, you will learn advanced belly dance moves that will take your skills to the next level.
Our experienced instructors will guide you through a variety of intermediate belly dance techniques, allowing you to explore new ways of expressing yourself through this beautiful art form. You will also have the opportunity to learn unique belly dance choreography and master improvisational belly dance, giving you the freedom to create your own routines. Additionally, our instructors will provide valuable belly dance performance tips to help you shine on stage.
As your journey continues, get ready for even more excitement in our group belly dance classes, where you’ll connect with others who share your passion for this captivating dance form.
Group Belly Dance Classes In Earl Shilton, Leicestershire
In our group belly dance classes, you’ll have the opportunity to connect and collaborate with fellow dancers who share your passion for this mesmerizing art form, creating a vibrant community of artists. Joining these classes allows you to experience the power of group dynamics firsthand as you bond with like-minded individuals on a journey towards self-expression.
Not only will you learn new dance techniques and choreographies, but you’ll also gain social benefits that extend beyond the studio walls. Imagine feeling body confident as you embrace your curves and movements alongside supportive friends who uplift and inspire one another. Through this cultural expression, you’ll discover a sense of belonging and empowerment that transcends mere dance steps.
As part of our group, performance opportunities become more accessible, allowing you to showcase your talents while sharing the joy of belly dancing with enthusiastic audiences. Transitioning into private belly dance classes will take your skills and confidence to even greater heights without skipping a beat.
Private Belly Dance Classes In Earl Shilton, Leicestershire
By enrolling in private belly dance sessions, you’ll delve into a personalized journey of self-discovery and growth, unlocking the true essence of this captivating art form. Private belly dance lessons offer an intimate setting where you receive individualized training tailored specifically to your needs and goals. With exclusive dance coaching, you have the undivided attention of your instructor, allowing for focused instruction and accelerated progress.
These one-on-one sessions provide a safe space for you to explore your strengths and areas for improvement without any external distractions. Your instructor will guide you through each movement with precision and expertise, ensuring that you master the techniques with grace and confidence. The personalized instruction in private belly dance classes empowers you to develop your unique style while building a strong foundation in this ancient art form.
Now that we’ve explored the benefits of private belly dance classes, let’s move on to discuss the average cost of belly dancing classes…
Average Cost Of Belly Dancing Classes In Leicestershire
If you’re considering private belly dance classes, you’re in for a treat! Now, let’s talk about the average cost of belly dancing lessons. When it comes to investing in yourself and your passion, it’s important to know what to expect financially. The cost of belly dancing classes can vary depending on several factors such as location, instructor qualifications, class schedule options, and popularity. To give you an idea, let’s do a quick cost comparison.
In popular locations like New York City or Los Angeles, the average price ranges from $50 to $100 per hour-long session.
However, keep in mind that some studios offer package deals or discounts for multiple sessions. So make sure to explore all your options and find the best fit for your budget and goals. Speaking of goals, next we’ll dive into what you will learn during belly dance lessons – get ready to shimmy and shine!
What You Will Learn During Belly Dance Lessons
When taking classes to become a belly dancer, you will learn a variety of belly dance steps and techniques that are essential to mastering this art form. From hip drops and shimmies to snake arms and figure eights, you will be guided through each movement with expert instruction.
Additionally, you will have the opportunity to learn and perform belly dance choreography, allowing you to showcase your skills in a dynamic and captivating routine.
Finally, proper belly dance posture is emphasized throughout the lessons, ensuring that you develop the grace and alignment necessary for executing movements with precision and fluidity. Get ready to embark on an exciting journey of self-expression and empowerment through the beautiful art of belly dancing!
Belly Dance Steps & Techniques
Master this mesmerizing dance art style with these essential belly dance moves and techniques that will have you shimmying and shaking like a pro in no time!
Hip Circles: One of the foundational moves in belly dancing, hip circles involve isolating and rotating your hips in a circular motion. This move not only strengthens your core muscles but also adds grace to your performance.
Snake Arms: To add fluidity and elegance to your dance, master the snake arms technique. Imagine yourself as a snake slithering through the air, gracefully moving your arms in flowing movements.
Shimmy: The shimmy is an iconic belly dance move that involves rapidly vibrating different parts of your body, usually the shoulders or hips. It adds excitement and energy to your performance, making it captivating for both you and your audience.
As you gain confidence with these belly dance techniques, you’ll soon be ready to explore the world of belly dance choreography.
Belly Dance Choreography
Once you’ve learned the essential steps and techniques, you can start creating your own belly dance choreography that showcases your unique style and personality. For example, imagine yourself performing a captivating choreography to traditional Middle Eastern music, incorporating graceful arm movements and dynamic hip accents that tell a story of love and longing. As you explore the world of belly dance choreography, remember to experiment with different combinations of steps and techniques to create interesting sequences.
Consider the rhythm and melody of the belly dance music as you craft your choreography, using it as inspiration for your movements. Additionally, don’t forget about the importance of belly dance costumes in enhancing your performance. They can add flair and elegance to your choreography, making it even more visually stunning. So go ahead, let your creativity flow as you delve into the art of belly dance choreography.
Now let’s transition into discussing proper belly dance posture and how it contributes to a graceful performance.
Proper Belly Dance Posture
Now that you have learned some beautiful belly dance choreography, it’s time to focus on perfecting your posture. Proper belly dance posture is essential for not only executing movements correctly but also preventing injuries and maximizing the benefits of this ancient art form. Let me share some valuable tips to help you achieve proper alignment in your belly dance practice.
Firstly, maintaining a straight spine is crucial. Imagine a string pulling you up from the crown of your head, elongating your torso. Engage your core muscles and relax your shoulders down and back. Avoid overarching or rounding your back, as this can strain your lower back.
By improving your posture in belly dance, you will enhance the elegance and grace of each movement while promoting better muscle engagement and body awareness. So remember, proper alignment is key to achieving fluidity and precision in this captivating dance style.
What Do Traditional Belly Dancers Wear?
When it comes to the traditional belly dancer outfit is an essential component of the performance. You will learn about the intricate details and embellishments that make up a traditional belly dancer’s outfit, including the vibrant colors and ornate designs.
From flowing dresses to crop tops, you will explore different styles of belly dance attire that enhance your movements and showcase your personal style. Additionally, hip scarves adorned with coins or beads are an iconic accessory that adds flair and emphasizes hip movements during your performances.
Traditional Belly Dancer Outfit
To fully embrace the vibrant art of belly dancing, you’ll love wearing the mesmerizing traditional outfit of a belly dancer. The traditional belly dancer costume is a true work of art that reflects the rich cultural heritage of this ancient dance form. Here are some key elements of the traditional belly dancer outfit:
- Embellished Bra: The top often features intricate beadwork and sequins, accentuating your curves and adding a touch of glamour.
- Flowing Skirt: The skirt is typically made from lightweight fabrics like chiffon or silk to allow for graceful movements and twirls.
- Hip Scarves: These scarves with dangling coins or beads enhance hip movements and create captivating sounds as you dance.
- Coin Belt: Worn around the waist, it adds a delightful jingle to your steps, emphasizing rhythmic hip articulation.
The traditional belly dancer outfit not only celebrates femininity but also pays homage to the cultural significance of this dance form. As we move on to discussing ‘belly dancing dress’, let’s explore how modern fashion trends have influenced this timeless attire.
Belly Dancing Dress
Embracing a fusion of modern fashion trends and timeless elegance, the belly dancer’s dress exudes an enchanting allure. The belly dancing costume is designed to highlight the graceful movements of the dancer, while also reflecting her unique personality. Made from luxurious fabrics such as chiffon or silk, these dresses feature intricate beadwork, sequins, and embroidery, adding a touch of glamour to each twirl and shimmy.
To complete the ensemble, belly dancers often adorn themselves with beautiful accessories like jingling coin belts and ornate headpieces that catch the light as they move. The mesmerizing rhythms of belly dancing music guide their steps as they glide across the dance floor in comfortable yet stylish belly dancing shoes. Additionally, props like veils and finger cymbals add an extra layer of excitement to their performances. Transitioning seamlessly into the next section about ‘belly dance tops’, let’s explore another essential element of a belly dancer’s wardrobe.
Belly Dance Tops
Now that you’ve found the perfect belly dancing dress, it’s time to complete your ensemble with the right belly dance top. Belly dance tops, just like dresses, come in a variety of styles and designs to suit your personal taste and performance needs. From intricate beaded halters to flowing chiffon blouses, there are endless options to choose from when it comes to belly dance fashion.
Accessorizing your top with matching jewelry and a hip scarf can really elevate your overall look. The right combination of belly dance costumes and accessories can make you feel confident, beautiful, and ready to showcase your skills on the dance floor.
When it comes to belly dance trends, keep an eye out for unique patterns, vibrant colors, and innovative designs. Stay ahead of the game by incorporating these trends into your performance outfits.
Hip Scarves
Are you ready to add some sparkle and jingle to your belly dancing classes? Look no further than the fabulous coin scarf! This vibrant accessory features rows of coins that create a mesmerizing sound as you move. Not only does it enhance your movements, but it also adds a touch of glamour to your dance routine. Get ready to make a statement and captivate your audience with the enchanting coin scarf!
Coin Scarf
Wearing a coin scarf will transport you to the magical world of belly dancing, as its jingling sound adds an enchanting touch to your every movement. It is one of the essential belly dance accessories and a key component of any belly dance costume. The history of coin scarves dates back centuries, originating in Middle Eastern cultures. To tie a coin scarf, simply wrap it around your hips and secure it with a knot. Now that you know how to enhance your outfit, let’s explore what to wear to the belly dance class studio next.
What To Wear To The Belly Dance Class Studio In Earl Shilton England
Make sure you’re dressed in comfortable and stretchy clothing when attending a belly dance class so that you can move freely and confidently. Belly dance attire is all about expressing yourself through movement, so it’s important to wear something that allows for flexibility. When it comes to belly dance fashion, there are many options to choose from. Whether you prefer the traditional look of a belly dance costume or the more modern approach of mixing and matching different pieces, the choice is yours.
In terms of tops, you can opt for a fitted tank top or a loose-fitting blouse that allows for easy movement. As for bottoms, yoga pants or leggings are popular choices as they provide comfort and flexibility. Don’t forget to bring a hip scarf or coin belt to add some jingle to your moves!
Now that you know what to wear to belly dancing lessons, let’s move on to how long it takes to learn belly dancing. Learning any new skill takes time and practice, but with dedication and enthusiasm, you’ll be shimmying and shaking in no time!
How Long Does It Take To Learn Belly Dancing?
Learning belly dancing takes time and practice, but with dedication and enthusiasm, you’ll be mastering the art of graceful movement in no time! Here are three key points to keep in mind as you embark on your belly dance journey:
Average Time: The length of time it takes to learn belly dancing varies from person to person. On average, it can take between six months and a year to become proficient in basic moves and combinations. However, perfecting advanced moves may require several years of dedicated practice.
Learning Process: Belly dancing is a beautiful and intricate dance form that requires commitment and endurance. It involves learning various isolations, shimmies, undulations, and hip movements. Breaking down each movement and practicing them individually before putting them together is crucial for progress.
Practice Schedule: Consistency is key when it comes to learning belly dancing. Setting aside consistent practice times throughout the week will help you build muscle memory and improve your technique faster. Aim for at least two to three sessions of 30 minutes each per week.
While the learning process may present some challenges such as coordination or flexibility issues, the benefits of belly dancing are worth it. Not only does it provide a great workout for your entire body, but it also boosts self-confidence, improves posture, increases body awareness, and allows for creative expression.
With these insights into the average time required, journey of learning, practice schedule, common challenges faced by beginners, as well as the numerous benefits of belly dancing in mind; let’s explore whether anyone can learn this captivating art form without any further delay!
Can Anyone Learn to Belly Dance?
If you’ve ever pondered whether belly dancing is open to all, rest assured, it absolutely is! Belly dancing is a dance form that anyone, regardless of age bracket, sex, or body type, can learn and enjoy. Contrary to popular misconceptions, you don’t need to have a predetermined body structure or be exceptionally flexible to participate in belly dancing classes. In fact, belly dancing can help improve your body confidence and embrace your unique beauty.
The learning process of belly dancing involves perfecting diverse techniques and motions while immersing yourself in the rich cultural significance of this art form. By attending regular classes and practicing at home, you’ll gradually attain a graceful and fluid motion in your dance.
To give you an idea of the benefits and emotional impact that belly dancing can have on individuals, take a look at the table below:
BENEFITS | EMOTIONAL RESPONSE |
---|---|
Increased fitness levels | Excitement |
Improved posture | Confidence |
Stress relief | Joy |
Body awareness | Empowerment |
As you can see from the table above, belly dance has a wide array of benefits that go beyond physical fitness. Now that we understand how accessible and rewarding it is to learn belly dance, let’s explore whether it’s hard or not in our next section.
Is Belly Dancing Hard?
Put aside those preconceived notions and misconceptions, because I’ll tell you, becoming a belly dance master is a piece of cake! Many people believe that belly dance is difficult and requires a certain level of natural talent or flexibility. However, this couldn’t be further from the truth. Belly dance is a beautiful art form that anyone can learn with dedication and practice.
One common misconception about belly dance is that it is only for young and slim women. In reality, belly dance welcomes people of all ages, body types, and fitness levels. It is a fantastic exercise that not only improves physical health but also provides a host of mental well-being advantages. Engaging in belly dance classes can boost self-confidence, reduce stress levels, and enhance overall happiness.
Proper attire plays a vital role in belly dancing. Wearing comfortable clothing that allows freedom of movement is essential to fully enjoy the experience. Additionally, investing in proper footwear can prevent injuries and ensure stability during complex movements.
Belly dance also has a notable impact on body confidence. As you learn to move your body gracefully and fluidly, you will start appreciating your own unique beauty more than ever before. This newfound confidence extends beyond the studio walls into various aspects of your life.
Furthermore, there are different styles within belly dancing such as Egyptian, Turkish, or Tribal Fusion. Each style brings its own flavor and characteristics to the art form. Exploring these different styles allows dancers to find their personal style preference while expanding their knowledge and versatility.
So now that we have debunked those misconceptions about difficulty let’s discuss another exciting aspect of belly dance: how it can benefit expectant mothers by promoting relaxation during pregnancy!
Belly Dancing During Pregnancy
Are you wondering if belly dance during a pregnancy is safe?
Well, the good news is that belly dance can be a safe and enjoyable exercise option for expectant mothers. Not only does it provide numerous health benefits such as improved posture and abdominal control, but it also helps strengthen the pelvic floor muscles and alleviate lower back pain. However, it’s important to follow certain precautions and guidelines to ensure a safe practice throughout your pregnancy journey.
Is Belly Dancing Safe During Pregnancy?
Belly dancing during pregnancy can be a safe and enjoyable way to strengthen muscles, promote relaxation, and improve posture. Here are some important things to consider:
Health Benefits: Belly dance movements like hip rolls and circles can strengthen pelvic and abdominal muscles, relieve backache, and improve balance. It also helps maintain general fitness and promotes good posture.
Risks: Pregnant women should avoid sharp movements and shimmies if they’re not used to exercising. Back bends should be avoided, and a natural pelvic tilt should be maintained to prevent strain on the body.
Prenatal Exercises: Certain belly dance movements like camel and belly flutter are similar to those in prenatal exercise classes, aiding in optimal fetal position and labor.
Expert Advice: It’s crucial to consult with a doctor before starting belly dance classes while pregnant. Qualified midwives who are also belly dance teachers may offer specialized classes for pregnant women.
Next, let’s explore the health benefits of belly dance during pregnancy without skipping a beat.
Health Benefits of Belly Dance During Pregnancy
While expecting, women can embrace the enchanting art of belly dance to gracefully strengthen their bodies and cultivate a deeper connection with their changing forms. Belly dance during pregnancy offers numerous health benefits that support both physical and emotional well-being. It serves as a gentle form of prenatal exercise, allowing expectant mothers to engage in safe physical activity while promoting body awareness.
By practicing belly dance, pregnant women can improve their core strength, enhance flexibility, and increase circulation throughout the body. This ancient dance form also targets the pelvic floor muscles, helping to strengthen them for labor and delivery. Additionally, belly dance can alleviate lower back pain and maintain lower back strength during pregnancy. The rhythmic movements of belly dance promote good posture, which is essential for carrying the extra weight associated with pregnancy.
As we move into the next section about precautions and guidelines, it’s important to ensure that you approach belly dancing with care and follow recommended steps to keep yourself and your baby safe.
Precautions And Guidelines
Now that you are aware of the numerous health benefits of belly dance during pregnancy, it is important to also be informed about the precautions and safety guidelines to ensure a safe and enjoyable dancing experience. To prevent any potential injuries, it is crucial to follow certain guidelines. First and foremost, always seek your doctor’s advice before starting any exercise program.
Additionally, warm-up exercises should be performed prior to dancing to prepare your body for movement.
When selecting a belly dance class, make sure the instructor is qualified and experienced in teaching pregnant women. It is also recommended to avoid back bends, jumps, and sharp movements that may strain your body. Remember to listen to your body and stop if you feel unwell or experience any bleeding, dizziness, or pain.
By following these precautions and guidelines, you can safely enjoy the many benefits of belly dancing during pregnancy.
Health Benefits Of Belly Dancing
Discover the many health benefits of belly dance you can experience by engaging in belly dancing classes. Not only will you have a blast shaking your hips and learning beautiful dance moves, but you’ll also be improving your mental well-being, flexibility, core strength, and even managing your weight.
Take a look at the table below to see just how belly dancing can benefit your overall health:
Health Benefits | Description |
---|---|
Mental Well-Being | Belly dancing is known to boost self-confidence and mood. |
Flexibility Improvement | The fluid movements in belly dance help increase range of motion. |
Core Strengthening | The isolations and undulations engage and tone your abdominal muscles. |
Engaging in belly dancing classes not only provides physical benefits but also improves mental health by boosting self-confidence and mood. The fluid movements involved in belly dance help increase flexibility by enhancing range of motion throughout the body. Additionally, the isolations and undulations used during this dance style engage and strengthen the core muscles, providing a great workout for the abdomen.
Now that you know about the incredible health benefits of belly dancing, let’s dive into how it can be an effective workout for fitness without missing a beat!
Belly Dance Workout For Fitness
Are you wondering if a belly dance workout for fitness can help reduce belly fat, aid in weight loss, make your waist smaller, and tone and flatten your stomach? The answer is yes! Belly dancing is a fantastic workout that targets the abdominal muscles, helping to burn calories and shed unwanted fat. By incorporating belly dance into your fitness routine, you can achieve a slimmer waistline and a toned stomach while enjoying the artistry and joy of this beautiful dance form.
So get ready to shimmy and shake your way to a fitter, more sculpted physique!
Does Belly Dance Reduce Belly Fat?
If you’re looking to trim down your midsection, belly dance classes could be the perfect solution for you. Not only does belly dance offer a fun and exciting way to get moving, but it also provides numerous benefits for both your body and mind. Here are some key points to consider:
- Belly dance is known for its ability to help with weight loss due to the combination of cardio and strength training involved.
- This form of dance targets the core muscles, helping to strengthen and tone your abs, obliques, and lower back.
- By learning the art of belly dance, you can boost your body confidence as you embrace and celebrate your curves.
- Belly dancing allows for self-expression through fluid movements and graceful gestures that promote a sense of empowerment.
So, does belly dance help you lose weight? Stay tuned as we explore this question further in the next section.
Does Belly Dance Help You Lose Weight?
Looking to shed those extra pounds? Get ready to sweat and groove your way to a slimmer waistline with the captivating power of belly dance. Belly dance is not only an enchanting art form but also a fantastic fitness activity that can help you lose weight and shape your body. The rhythmic movements involved in belly dancing provide a full-body workout, targeting core muscles, improving flexibility, and increasing stamina.
To give you an idea of the benefits of belly dance for weight loss, take a look at this table:
Benefits of Belly Dance | |
---|---|
Burns calories | Tones abdominal muscles |
Improves posture | Increases cardiovascular endurance |
Reduces stress | Enhances body coordination |
With its combination of cardio exercise, muscle toning, and stress reduction, belly dance offers numerous health advantages. So why wait? Start shimmying yourself to a fitter version of you! Transition into the next section about whether belly dancing makes your waist smaller without skipping a beat.
Does Belly Dancing Make Your Waist Smaller?
Get ready to witness the incredible transformation as belly dance sculpts your waistline with its mesmerizing movements. Belly dancing not only provides a fun and enjoyable way to exercise, but it can also help you achieve a smaller waist size. Here are three reasons why belly dance is beneficial for your waist:
Targeted Workout: Belly dance techniques focus on isolating and strengthening the muscles in your core, including your obliques and transverse abdominis. This helps tighten and tone your waistline, giving you a more defined shape.
Improved Posture: By practicing belly dance, you’ll develop better posture as you engage your core muscles throughout the movements. This will naturally pull in your stomach and create a slimmer appearance.
Accentuated Curves: Belly dance attire enhances the natural curves of your body, especially around the waist area. The flowing skirts and hip scarves draw attention to this region, making it appear smaller and more shapely.
Bust those belly dance myths that claim it doesn’t make a difference! So let’s move onto the next section: Does belly dancing tone & flatten your stomach?
Does Belly Dancing Tone & Flatten Your Stomach?
Witness the amazing transformation as belly dance sculpts your waistline, but did you know that it also has the power to tone and flatten your stomach? Belly dance is not only a mesmerizing art form, but it also offers numerous benefits for your core strength. By engaging in the fluid movements and isolations of belly dance, you activate and strengthen your abdominal muscles. This helps to tighten and tone your stomach, giving you a more defined midsection.
Not only will you achieve a flatter tummy, but you will also develop greater abdominal definition. So if you’re looking for an enjoyable and effective way to work on your core, belly dance is the answer. Now let’s explore the different types of belly dance styles that can further enhance your fitness journey.
Types Of Belly Dance Styles You Will Learn At Our Classes In Earl Shilton
Are you curious about the different types of belly dance styles? Well, let’s dive right in!
- American Tribal Style Belly Dancing is known for its group improvisation and a strong sense of community.
- Gothic Belly Dancing combines dark aesthetics with graceful movements, creating a mesmerizing performance.
- Egyptian Belly Dancing showcases the rich cultural heritage of Egypt through expressive and intricate movements.
- Tribal Belly Dancing blends various traditional dances to create a unique fusion style.
- And last but not least, Turkish Belly Dancing is characterized by its energetic and lively movements, making it a joyous celebration of music and dance.
So, get ready to explore the diverse world of belly dance styles!
American Tribal Style Belly Dancing
If you’re looking for a unique and entertaining dining experience, look no further than restaurant belly dancing. This mesmerizing form of entertainment combines the art of belly dancing with delicious food and a vibrant atmosphere.
As you sit back and enjoy your meal, you’ll be captivated by the graceful movements of the dancers, adding an extra touch of excitement to your evening.
Restaurant Belly Dancing
Get ready to be mesmerized by the jaw-dropping belly dancing performance at the restaurant – it’s like entering a magical realm where every movement is a work of art! Immerse yourself in an enchanting atmosphere while enjoying delicious Middle Eastern cuisine.
This cultural dance adds an element of excitement and entertainment to your dining experience, making it perfect for social gatherings. The live performances create a vibrant ambiance that transports you to another world. Now, let’s delve into the captivating world of gothic belly dancing.
Gothic Belly Dancing
If you’re looking to dive into the world of belly dancing with a twist, then Gothic Tribal Fusion Belly Dance is the perfect subtopic for you. This unique style combines the elegance and fluidity of traditional belly dance with a dark and edgy gothic aesthetic. With its intricate movements, dramatic costumes, and haunting music, Gothic Tribal Fusion Belly Dance offers a mesmerizing and empowering experience like no other.
Gothic Tribal Fusion Belly Dance
Unleash your inner darkness with the mesmerizing moves of Gothic Tribal Fusion Belly Dance. This unique style combines elements of gothic fusion, tribal fusion costumes, gothic belly dance music, gothic belly dance moves, and gothic belly dance performances to create a captivating experience.
The haunting melodies and intricate choreography will transport you to a world of mystery and enchantment.
Egyptian Belly Dancing
Are you ready to dive into the mesmerizing world of Egyptian Belly Dancing? Get ready to experience the grace, elegance, and sensuality of Raqs Sharqi, a style known for its intricate hip movements and fluid arm gestures.
And don’t forget about Raqs Baladi, a more earthy and folkloric style that will transport you to the lively streets of Egypt. Let’s explore these captivating dance forms together and unleash your inner belly dancing queen!
Raqs Sharqi
Raqs Sharqi, also known as ‘oriental dance,’ is a mesmerizing art form that blends graceful movements and vibrant costumes to transport you to a world of enchantment. Originating in Egypt, it has a rich history dating back centuries. Famous belly dancers like Samia Gamal and Nagwa Fouad have contributed to its popularity.
Raqs Sharqi is characterized by intricate hip movements, fluid arm gestures, and captivating shimmies. The music and costumes further enhance the sensual allure of this dance style. Moving on to ‘raqs baladi’…
Raqs Baladi
With its earthy movements and lively rhythms, raqs baladi transports you to the vibrant streets of Egypt. This traditional form of belly dance has a rich history and is deeply rooted in Egyptian culture. The music that accompanies raqs baladi is typically played on traditional instruments such as the tabla and the mizmar, creating an intoxicating atmosphere.
Dancers wear colorful costumes adorned with sequins and coins, adding to the visual spectacle. Raqs baladi celebrates the beauty and grace of everyday life in Egypt.
Tribal Belly Dancing
Are you ready to explore the mesmerizing world of Tribal Fusion Belly Dance? This captivating and innovative style combines traditional belly dance movements with modern influences, creating a unique and dynamic fusion. Get ready to be enchanted by the fluidity of movement, intricate isolations, and powerful expressions that define this mesmerizing dance form.
With its diverse range of influences from different cultures, Tribal Fusion Belly Dance offers endless possibilities for self-expression and creativity. So get your hips moving and let the magic unfold!
Tribal Fusion Belly Dance
Immerse yourself in the mesmerizing world of Tribal Fusion Belly Dance and let your body become a powerful instrument of self-expression. This captivating dance style combines elements of tribal and gothic fusion, creating a unique and edgy experience.
Not only does it offer incredible health benefits, such as improved posture and flexibility, but it also celebrates diversity within belly dance styles. Did you know that even male belly dancers can embrace this art form?
Turkish Belly Dancing
If you’re looking for a captivating and energetic form of belly dance, then Turkish Gypsy Belly Dance is the perfect choice. This style of belly dance originated from the Roma communities in Turkey and is known for its fast-paced movements, intricate footwork, and expressive gestures.
With its vibrant music and dynamic choreography, Turkish Gypsy Belly Dance will transport you to a world filled with passion and excitement. So get ready to shimmy, shake, and let loose as you explore the enchanting realm of Turkish Gypsy Belly Dance!
Turkish Gypsy Belly Dance
Enroll in our Turkish Gypsy Belly Dance class and discover how this mesmerizing dance style originated from the Romani people, who make up approximately 4% of Turkey’s population. Experience the vibrant energy of Turkish Gypsy Belly Dance as you learn traditional techniques passed down through generations.
Marvel at the intricate Turkish belly dance costumes adorned with colorful fabrics and intricate embroidery. Move to the captivating rhythms of Turkish belly dance music, deeply rooted in centuries-old traditions. Immerse yourself in the rich history of this captivating art form before diving into the world of cabaret belly dancing.
Cabaret Belly Dancing
To truly experience the essence of cabaret belly dancing, you’ll need to embrace its intricate choreography and sultry movements. Cabaret belly dancing emerged in the early 20th century as a fusion of traditional Middle Eastern dance with Western influences. It quickly became popular in nightclubs and theaters, captivating audiences with its vibrant energy and sensual flair.
Famous cabaret belly dancers like Samia Gamal and Fifi Abdou mesmerized crowds with their graceful yet provocative performances. The costumes worn during cabaret belly dancing are dazzling, often featuring sequins, feathers, and flowing fabrics that accentuate every movement. The music is equally enchanting, blending traditional Arabic melodies with modern beats to create an irresistible rhythm that entices both the dancers and the audience.
Now let’s explore another captivating style of belly dancing – Indian belly dancing, which infuses movement with rich cultural traditions.
Indian Belly Dancing
Immerse yourself in the mesmerizing movements and melodic music of Indian belly dancing, where vibrant cultural traditions come alive through graceful gyrations. Indian belly dancing, also known as Odissi or classical Indian dance, holds deep cultural significance in India.
It has a rich history that dates back thousands of years and is rooted in religious rituals and storytelling. The intricate footwork, fluid body movements, and expressive hand gestures make this dance form truly captivating to watch.
When it comes to costumes, Indian belly dancers adorn themselves with colorful sarees or lehengas embellished with intricate designs and traditional jewelry like ankle bells and headpieces. These costumes not only enhance the visual appeal but also add to the overall grace of the performance.
Several famous Indian belly dancers have gained international recognition for their exceptional talent and dedication to this art form. From Meera Das to Madhavi Mudgal, these performers have showcased the beauty of Indian belly dancing on global stages.
Lebanese Belly Dancing
Lebanese belly dancing, also known as raqs sharqi, is a mesmerizing dance style that blends grace and passion with intricate hip movements and expressive gestures. It holds immense cultural significance in Lebanon, where it is considered an integral part of their heritage. When you attend Lebanese belly dancing classes, you will not only learn the dance moves but also gain a deeper understanding of the rich traditions behind it.
Traditional costumes play a crucial role in Lebanese belly dancing, with vibrant colors and ornate details adding to the allure of the performance. Some famous Lebanese belly dancers who have made significant contributions to this art form include Samia Gamal and Nadia Gamal. The music accompanying Lebanese belly dances is enchanting, featuring lively rhythms and melodies that transport you to another world.
If you want to experience the magic firsthand, don’t miss out on attending Lebanese belly dance festivals where talented performers showcase their skills. As we transition into the next section about fantasy belly dancing, get ready for an exploration of another captivating dimension within this beautiful art form…
Fantasy Belly Dancing
Get ready to be transported to a realm of enchantment and wonder as you delve into the captivating world of fantasy belly dancing. In this mesmerizing dance form, dancers become ethereal beings floating on air, their movements resembling the fluttering wings of mythical creatures.
One popular style within fantasy belly dancing is gothic tribal fusion belly dance, which combines elements of gothic aesthetics with traditional belly dance techniques. The result is a dark and mysterious performance that evokes a sense of intrigue and fascination. Imagine dining at a restaurant while being entertained by these graceful dancers who effortlessly command attention with their hypnotic moves.
With its unique blend of fantasy and elegance, fantasy belly dancing offers an intimate experience like no other.
Find Belly Dancing Classes, Lessons, Courses, Workshops, Teachers & Instructors In These Other Locations Near Earl Shilton, Leicestershire England
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More FAQ’s About Belly Dance Lessons In Earl Shilton
What Is a Belly Dance Troupe?
Joining a belly dance troupe allows you to become part of a vibrant and mesmerizing group that moves together in perfect harmony, captivating the audience with their graceful and hypnotic movements. A belly dance troupe is a tight-knit community of dancers who share a passion for this ancient art form.
They come together to rehearse, perform, and support each other’s growth as dancers. In a belly dance troupe, you will have the opportunity to showcase your skills in stunning belly dance costumes during performances at various events and venues.
The camaraderie within the troupe creates a supportive environment where you can learn from experienced dancers and improve your technique. You may even have the chance to participate in exciting belly dance competitions, where you can test your skills against other talented dancers.
So, if you want to be part of an amazing community that celebrates this beautiful art form, joining a belly dance troupe is the perfect choice.
Are There Belly Dance Events In Earl Shilton?
Immerse yourself in the world of belly dancing by attending captivating and enchanting cultural events that showcase the mesmerizing art form. Belly dance festivals, competitions, workshops, performances, and retreats provide unique opportunities to witness the beauty and grace of this ancient dance style. At belly dance festivals, you can experience a vibrant atmosphere filled with music, costumes, and talented dancers from around the world.
Competitions allow you to witness the incredible skill and creativity of belly dancers as they showcase their talents on stage.
Workshops provide a chance to learn from renowned instructors and enhance your own skills. And at performances and retreats, you can be transported into a magical realm where every movement tells a story. These events celebrate the rich traditions of belly dance while fostering a sense of community among enthusiasts.
Is Belly Dancing Cultural Appropriation?
Discover the fascinating debate surrounding whether or not belly dancing can be considered cultural appropriation and gain a deeper understanding of this complex issue.
The history debate: One argument in this ongoing discussion is centered around the origins of belly dancing. Some argue that it originated in ancient Egypt, while others claim it has roots in Middle Eastern and North African cultures. Understanding the historical context can shed light on the cultural significance of this dance form.
Cultural appreciation vs. appropriation: Supporters of belly dancing argue that it should be seen as a form of cultural appreciation, where individuals can embrace and celebrate different cultures through dance. However, critics argue that when performed by individuals from outside these cultures without proper understanding or respect, it becomes an act of cultural appropriation.
By delving into the history and examining both sides of the cultural appropriation debate, we can better understand why this topic sparks such passionate discussions.
Is Belly Dancing Haram?
Engaging in the provocative art of belly dancing can be seen as a sinful act by some religious individuals due to its sensual nature and perceived violation of modesty standards.
However, it is important to note that the perception of belly dance as haram, or forbidden, varies among different interpretations of religious teachings.
While some may argue that the movements and costumes associated with belly dancing contradict their religious beliefs, others view it as a form of cultural expression that celebrates femininity and body positivity.
Belly dance has deep cultural significance and has been practiced for centuries in various regions around the world. It is a way for women to connect with their bodies and express themselves artistically. Furthermore, belly dancing offers numerous health benefits such as improved flexibility, muscle tone, and cardiovascular endurance.
Misconceptions about belly dancing often arise from limited understanding or stereotypes perpetuated by popular media. It is essential to approach this art form with an open mind and respect for its rich history.
Are There Male Belly Dancers?
Although it may be less common, there are indeed male belly dancers who bring their own unique style and energy to the art form.
Male belly dancers contribute to the gender diversity within this ancient dance practice, highlighting its cultural significance and promoting body positivity and inclusivity.
Here are some key reasons why male belly dancers are an important part of the belly dancing community:
- They challenge stereotypes: Male belly dancers defy traditional gender norms and break down societal expectations by embracing a dance form that was historically perceived as feminine.
- They offer a different perspective: With their masculine energy and physicality, male belly dancers bring a fresh interpretation to the movements, adding depth and variety to the performances.
- They celebrate inclusivity: By participating in belly dancing, regardless of their gender identity, male dancers promote an inclusive environment where everyone can express themselves freely without judgment.
- They inspire others: Their presence encourages individuals from all walks of life to explore their passion for dance, fostering a supportive community that welcomes people of diverse backgrounds.
With such vibrant contributions from male belly dancers, it’s no wonder that more people are becoming interested in taking belly dancing classes online. These virtual platforms allow enthusiasts to learn from experienced instructors in the comfort of their own homes.
Belly Dancing Classes Online
If you’re looking to learn this captivating dance form, you’ll be intrigued to know that online platforms have seen a staggering 300% increase in the number of people enrolling in virtual belly dancing lessons. With the rise of remote learning and video tutorials, online classes have become a convenient and accessible way for aspiring dancers to immerse themselves in the art of belly dancing.
Online classes offer a plethora of benefits.
First, they provide flexibility in terms of scheduling. You can choose when and where you want to participate, allowing you to fit your lessons around your busy lifestyle. Additionally, virtual instruction allows you to learn at your own pace. Whether you’re a beginner or an experienced dancer, there are workshops tailored to suit your skill level.
The beauty of online belly dancing courses is that they bring the expertise of professional instructors right into your living room. Through high-quality video tutorials, you will receive step-by-step guidance on posture, technique, and choreography. The intimate setting allows for personalized feedback and attention from instructors who are passionate about sharing their knowledge.
So why wait?
Join the growing community of people who learn belly dancing at home who are embracing online learning as a means to enhance their skills and passion for this ancient dance form. Enroll in an online workshop today and experience the joy and empowerment that comes with mastering the art of belly dancing from the comfort of your own home.
More About Earl Shilton, Leicestershire England
Earl Shilton is a market town in Leicestershire, England, about 5 miles (8 km) from Hinckley and about 10 mi (16 km) from Leicester. The 2011 Census recorded its population as 10,047.
The town’s name derives from the Old English for ‘farm/settlement on a shelved terrain’. In the Domesday Book (1086) it is recorded as Scheltone. Schulton or Scheltone is an ancient word, which means shelf; Shilton is therefore Scheltone or shelf-town, a derivation supported by the village’s standing on the top of a long, narrow ridge in the southwest of the county.[citation needed] .
The village of Earl Shilton would evolve on Shilton Hill in what would be south Leicestershire. Below the hill ran an ancient trackway known as the Salt Road, connecting east and west Leicestershire. A tribe known as the Corieltauvi constructed this road, running along the southern edge of the Great Leicester Forest, a vast tract of woodland which entirely covered west Leicestershire and stretched up into Nottinghamshire and Derbyshire. The Salt Road was a major artery of trade and passage for many centuries to come.
The Corieltauvi tribe had moved to Britain from continental Europe some time after 100 BC. They were a confederation of Belgic warriors who carved out a kingdom which stretched from the Humber to south Leicestershire. These ancient Britons were not really a unified tribe, but a collection of peoples sharing the same way of life. The tribe generally did not rely on hill forts for their protection. It appears that the Corieltauvi were better farmers than warriors, for they lived in lowland settlements, usually beside streams, frequently surrounded, or even hidden, by areas of thick forest.
The Roman army arrived in Britain in 43 AD, and quickly set about its conquest. Roman Legions spread north and west and by AD 47 were advancing into Leicestershire. At this time, Corieltauvi tribal chiefs were being severely harassed by their neighbours, the Brigantes, and so welcomed the Romans as a source of protection and stability. Ostorius Scapula, the Roman Governor in Britain, established the frontier zone delineated by the Fosse Way through the middle of friendly Corieltauvi territory.
Earl Shilton’s first industry arrived during this period, as a pottery was established on Shilton Heath, (behind the modern day Heathfield High School). There was an excellent vein of clay found in the vicinity of Earl Shilton’s Roman kiln. Early in the second century it started producing low grade, grey ware pots, used for everyday cookery and storage (John Lawrence). Locally there was another pottery at Desford, and Stoney Stanton lived up to its name by the opening of a Roman quarry.
Earl Shilton lay in the kingdom of the Middle Angles. Middle Anglia and Mercia were built around the River Trent and the rivers that flow into it, such as the Soar.
The first recorded attacks on Saxon England by Viking raiders came at the end of the eighth century. Being well inland, early Viking raids did not affect the villagers of Earl Shilton but in 874—875 a great heathen army of Danes moved up the River Trent and into the heart of Mercia. They attacked and overran Nottingham before moving their ships along the River Trent into north Leicestershire.
Domesday records show that Shultone had 5 ploughlands worth 5 shillings at the time of Edward the Confessor. Shultone’s neighbour, the village of Barwell, stood on the lands of Leofric, Earl of Mercia (John Lawrence).
Following the Norman Conquest William besieged and captured the city of Leicester in 1068, about two years after the Battle of Hastings. William handed the government of Leicester over to Hugh de Grandmesnil, one of the Norman adventurers. He also gave De Grandmesnil 100 manors for his services, sixty-five of them in Leicestershire, including Earl Shilton. He was appointed sheriff of the county of Leicester. He married Adeliza, daughter of Ivo, Count of Beaumont-sur-l’Oise. Hugh de Grandmesnil and his wife, who died in 1087, had five sons and as many daughters together.
Earl Shilton, like many English villages, first appears in recorded history in the Domesday Book of 1086, the first complete tax record for the whole of England. One of the parcels of land granted to Hugh de Grandmesnil by William the Conqueror was the village of Scheltone, now known as Earl Shilton. The village measured some 500 acres (2.0 km2). The village boasted 3 ploughs, with 1 serf and 4 sokemen. Sokemen were the highest class of free peasants, a lower aristocracy, and were thought to be the descendants of the Danes who settled in the East Midlands. The village also had a priest, 10 villeins and 5 bordars. Villeins and bordars were below sokemen and tied to the land. Villeins often held between 30 and 100 acres (120,000 and 400,000 m), while bordars were of a lower standing and usually had a smallholding. Attached to the village of Sheltone were 12 acres (49,000 m2) of meadow and a mill of 16 pence (£0.07) value, with woodland 8 furlongs (1,600 m) in length and 3 broad valued at 70 shillings (£3.50). Following the Norman invasion there must have been some inflation as during the time of Edward the Confessor Sheltone’s woodland was valued at 5 shillings (£0.25). The population of the village would have been 75 to 80 people.[citation needed]
The fields of Earl Shilton manor were open spaces divided into long narrow strips. Only the fields being grazed by cattle were fenced. The others were open and were identifiable as separate fields only by the crops which they bore. The unusual detail was that the single crop in each field was separately farmed – in individual strips – by peasant families of the local village.
Some of the strips which belonged to the local lord, were farmed for him by the peasants under their feudal obligations. Strip-farming was central to the life of a medieval rural community. It involved an intrinsic element of fairness, for each peasant’s strips were widely spread over the entire manor; every family would have the benefit of good land in some areas, while accepting a poor yield elsewhere. The strips also enforced an element of practical village democracy. The system only worked if everyone sowed the same crop on their strip of each open field. What to sow and when to harvest it were communal decisions. The field could not be fenced, or the cattle let into it, until each peasant had reaped his own harvest. When the harvest was in the peasant would compulsorily pay their lord to grind the corn in his mill.
Ploughing too was a communal affair. The heavy wheeled plough needed for northern soils was expensive, as were horses or oxen to pull it, so a team of horses and a plough worked successive strips of an open field for different peasants. The long narrow shape of the strips reflected the difficulty of turning the team at each end. In addition to the open fields, each village or manor had common land where peasants had the right to graze cattle, collect wood, cut turf and at times catch fish.
Ivo de Grandmesnil died on a crusade to Jerusalem, and when he did not return Robert Beaumont broke his oaths and took control of the whole of Leicester. He dispossessed Ivo’s children and added all the Grandmesnil estates to his own. By sleight of hand, Earl Shilton manor was now held by Robert Beaumont, who was created the first Earl of Leicester by the king.
Beaumont died in 1118, and his son, another Robert, known as Bossu, became the 2nd Earl of Leicester. Although Robert Bossu held lands throughout the country, in the 1120s he began to rationalise his estates in Leicestershire. The estates of the See of Lincoln and the Earl of Chester were seized by force. This gave Bossu a compact block of estates which were bounded by Nuneaton, Loughborough, Melton Mowbray and Market Harborough.
Robert Bossu was a close adviser to King Stephen of England. As such Bossu fortified his lands to protect his interests against the partisans of the Empress Matilda. During the civil war of 1135-53, it is likely that Robert Bossu began the fortification of Shilton Hill. The Earl of Leicester’s new motte and bailey castle would protect the vale of Kirkby, along with Beaumont’s lines of communication to the South and West. Earl Shilton’s castle was built around the site of an existing twelfth-century chapel called Saint Peter’s that lies between Church Street and Almey’s Lane. This area is known locally as ‘Hall Yard’. Nearby are the springs, from which the castle drew its water, now known as Spring Gardens.
The castle, as a fortress, lasted for 30 to 40 years before its destruction, and subsequent conversion to a hunting lodge. There are no records of a siege or fighting in the area of Earl Shilton, even during the civil war, which probably shows that the castle was doing its job (John Lawrence). When the parish church was rebuilt in 1854, the stone from the castle was used for its construction.
In 1173 Prince Henry started a rebellion against his father King Henry II. Robert de Beaumont, 3rd Earl of Leicester was in France when the rebellion began and joined the Prince’s faction, fighting several battles. While still on the road, on 17 October at Fornham, outside Bury St Edmunds, the king’s supporters attacked. The Earls of Norfolk and Leicester were surprised and defeated. Beaumont was captured and imprisoned at Falaise in Normandy. The king set about destroying the rebel Earl’s castles, including Earl Shilton. Only the fortress of Leicester and Mountsorrel survived this destruction.[citation needed] However, Earl Shilton manor would remain, being a good source of revenue.
Shilton Park was probably created by Simon de Montfort, after he became Earl of Leicester. De Montfort’s association with the village was such that the prefix ‘Earl’ was added to its name.
The original purpose of Shilton Park was to provide a hunting ground, stocked with game, for the lord of the manors’ sport and food. The park was surrounded by a deep ditch, to keep the animals in, and beyond that, a high fence to keep the general population out. The Earl of Leicester’s park of Tooley sat below Shilton Hill, stretching into the northwest towards Desford, enclosing 450 acres (1.8 km).[citation needed]
The upkeep of the park lay in the hands of the Earl’s bailiff, or ‘Keeper of the park’, a responsible occupation, as the park generated substantial revenue to help offset its huge running costs. It supplied a rich source of timber, horses were raised, and the park provided a continual supply of fresh meat, while fees were levied on anyone wishing to graze their animals on parklands. The bailiff could graze his own animals in the park freely, at the Earl’s discretion.
King Henry briefly held Shilton manor and park following the death of Simon de Montfort, before giving it to his son Edmund ‘Crouchback’. Created Earl of Leicester and Lancaster, Edmund ‘Crouchback’ took possession of Earl Shilton in 1272, for a security of 3,000 gold marks, and the parish was held of Lancaster from this time (John Lawrence).
The Earl appointed Richard de Schulton, the elder, to manage the running of the estate in Earl Shilton. He also collected the Earl’s dues for the Earls of Lancaster for roughly the next thirty years.
The Manor of Sheltone 1297 The main house with gardens and all its issues are worth three shillings. There are 240 acres (1.0 km) worth yearly £7 at 6d per acre. There are in villainage 34 bovates of land for which the villains render 10/- 5d. There are 8 acres (32,000 m2) of land in villeinage which render 49s 8d. The natives hold 27 acres 1 rood which render 27s 41/2d. Free tenants render 27s 7½ d. The cottars render 80 hens worth 6s 8d. There is a windmill and a watermill worth 53s 4d, a pasture worth 40shillings. The grazing is worth 10s. The Park of Tolowe (Tooley) is not extended because the bailiff has all his animals there.
A knight, Richard de Schulton, held the land from Edmund, Earl of Lancaster, and saw to the daily business of the estate. Richard is the earliest landowner known to have lived and worked in Earl Shilton. His recorded history began when he attended King Edward I’s Easter court at Leicester in 1283. De Schulton and his wife, Constance, became lord and lady of the manor, and had at least two sons, Richard, the younger, and John. The family were minor Leicestershire gentry who are known to have held other lands in Thurleston, Mershton, Normanton juxta Thurleston, Weston juxta Blaby, Normanton Turville, Countesthorp and Bitmeswelle.
Thomas of Lancaster became the new overlord of Shilton Manor in 1298, on the death of his father Edmund ‘Crouchback’. Earl Shilton manor at this time had 240 acres (1.0 km) worth yearly £7.[citation needed]
Richard de Schulton, the elder, died in 1314. His wife remarried, and William de Nevil moved into the manor with her. This took up much court time, as the family squabbled over their inheritance with the younger Richard de Shulton.
William de Nevil was also in court for various crimes and thefts of his property. In 1321 three men from Shilton, Ricard Blodewe, John Annys and John, son of Rodger, were all charged with taking Will de Nevils’ boar, worth 20 shillings and hunting it maliciously with dogs.
In 1324 Henry, who had succeeded his brother to the title of Leicester and Lancaster, met with John Norton, Mayor of Leicester and his burgesses at Shulton Manor. The great Earl’s arrival at Earl Shilton must have been a grand occasion, as accommodation and food were made available for a large retinue of barons, knights and servants.
Cost to the Mayor and Burgess of Leicester for meeting Henry, the Earl of Leicester and Lancaster, at the manor of Shulton 1324.
The burgesses’ records recall the expenses of the occasion
To Robert of Cadeby for having his counsel 2 shillings On Friday before the Lords coming – bread 6 ½ d – wine 2 s 8d
Sent to Sir Thomas le Blount and Sir Ric de Rivers Present to the Earl
Total £17 17s 31/2d
An armed raid took place in Earl Shilton in 1326. Nicholas de Charnels, at the head of a band of brigands, rode into Earl Shilton intent on plunder (John Lawrence). This party of raiders included three other knights, the parson of Aylmesthorp (Elmsthorpe), along with their servants and retainers. They broke into the manor house yard, taking away goods and chattels worth £300. In the Trinity Court of Edward II, held in Leicester 1326, Nicolas de Carnels, Parson John de Charnels, Walter de Bodicote of Weston, Richard de la Hay of Aylmersthorp and Roger de Claybrook of Leycester, were made to answer for their crime.
The widowed lady of the manor Constance de Shulton died on 20 May 1349, the year the Black Death arrived at Earl Shilton. Her second husband William de Nevil had already died, in 1337. Her son Richard, who must have been in his 50s, took over running the family estates at Earl Shilton. Richard de Shulton also lived for over seventy years, but by 1361 John de Neld held the manor at Shulton on the death of Henry Grosmont, Earl of Leicester.
In September 1365, burglars raided in Neubold Verdon. Tomas Danyel of Shulton and William Bannebury of Neubold, took away goods and chattels from the home of William Savage, the parson, and ‘dispastured his hurbage with cattle.’
The manor of Earl Shilton was given to John of Gaunt as part of her dowry when he married in 1359 Blanche, younger daughter of Henry Plantagenet, Duke of Lancaster. John of Gaunt would often enjoy the hunting offered by Shilton Park and its Manor, when he was in residence at Leicester Castle.
Robert de Swillington, a knight, was leasing a plot of land in Shilton Park by 1392. This included Priors Wood, 10 acres (40,000 m) in Kirkby Mallory, and Shilton Wood, another 8 acres (32,000 m2). It was passed onto Roger de Swillington, who on his death, in 1418, left the property to his son John, who died the following year. The woodland was passed to his sister Joan. The De Swillington family’s association with Shilton Park ended with the death of Joan in 1427.
A gang of serial poachers were caught in Shilton Park in 1420. Three men from Thorneton, Yeoman Thomas Harryson, together with Thomas Jakes and William Northowe, both husbandmen, aided by John Oakes of Odeston, were all charged with ‘breaking the kings park of Schulton and hunting therein’. William Armeston, representing the king also accused them of the same crime at Desford and Leicester Firth (New Parks). How the court found these poachers is not recorded, but the punishment would probably be administered in a swift and grisly fashion.
During the reign of the Yorkist King Edward IV, the Shilton Park laws were rescinded, probably as it had belonged to the Lancastrian princes, and the land was given over to the Ruding family.
On Friday, 19 August 1485 King Richard III mustered his army in Leicester. He learned from his scouts that the army of Lord Stanley was at Stoke Golding while William Stanley was at Shenton. Henry Tudor and his small army were camped around Atherstone. On the following day, Richard and the royal army left Leicester expecting to meet his rival near Hinckley. Swinging to the southwest, Richard is thought to have used the ancient track way to Shilton Hill and his army spent the night camped around the churches of Shulton and Elmesthorpe. No doubt all the food in the village was requisitioned before the royal army moved on to Sutton Cheyney and Ambion Hill where Richard was defeated and killed.
At the end of the Wars of the Roses Edward Trussel held plots of land in Derby and Earl Shilton and was Overseer of Elmesthorpe manor held from Lord de la Zouche. Elmesthorpe was valued at £34 at this time, while his holdings in Earl Shilton were worth 40 shillings. When Trussel died his children were still young and his lands were held by the king, for his son, John Trussel, was still in his minority. Unfortunately John Trussel did not have very long to enjoy his estates, dying on 20 December 1499. The next heir was John’s sister, Elizabeth, who was born in 1497, and was ten years old when the court granted her inheritance in 1507. Elizabeth Trussel’s fate is unknown but shortly after this period Elmesthorpe was depopulated and the church fell into disrepair.
After the Battle of Bosworth Field, Henry VII reinstated the Park laws for Earl Shilton. Henry Churchman was appointed bailiff for the parks upkeep, and also bow bearer for the park of Leicester Firth (New Parks). George Hastings became the keeper of Earl Shilton and Hinckley Parks in 1507, and by 1560 the keeper was George Vincent.
In the reign of Henry VIII, the Crown gave a piece of the lands in Earl Shilton to Trinity Hospital, Cambridge.
In 1564, there were ten families living in Earl Shilton, less than in 1086.
In the reign of Charles I the Crown sold Earl Shilton’s farm to the Earl of Ilchester whose rents were later given up to Guy’s Hospital, London which received them for many years.
In 1636, John Wightman gave £50 for the poor of Hinckley and a field in Earl Shilton was also let, earning £3 5s per year. By 1711 Peter Cappur was the steward of the manor in Shilton and John Wightman’s legacy was in dispute. At the Court Baron for that year, on 13 October, Francis Thompson, a tenant of Studford Close, Earl Shilton, surrendered a field of 2½ acres to Nathaniel Ward and Thomas Sansome, held in trust for the poor of Hinckley. This charity ran for some time for in 1809, Rob Thompson and Thomas Sansome were the trustees.
By 1664 Earl Shilton had 34 households assessed for hearth tax, and in the reign of James II in 1687 there were 52 houses assessed in the village.
In 1608 Tooley contained 3,500 trees worth nearly £1000. Henry Morrison was knighted in 1627 and he and his wife bought Simon de Montfort’s hunting park of Tooley. Their daughter Letticia was married to Lucius Cary, 2nd Viscount Falkland and they lived for a time at the Park.
From the start of the English Civil War in 1642 the broad tract of country between Ashby de la Zouch, Leicester and Watling Street became the buffer zone between the rival garrisons of Royalists and the Parliamentarians. One of the first shocks that the war had in store for the civilian population was the sudden increase in the number of new taxes that had to be raised for the support of these new garrisons. Records show that the Parliamentary tax for the combined parishes of Burbage and Sketchley was £2-8 shillings and 4 pence per month.
Following the Civil War the Parliamentarians took revenge on their enemies. Earl Shilton’s Richard Churchman was listed among the gentry who in 1645 were ‘compounded’ for their estates with the Parliamentary Sequestration Committee, along with Thomas Crofts, another Royalist. This meant that they had to pay a heavy fine to retrieve their estates.
Also the local curate William Holdsworth was accused of being a Royalist or ‘malignant’. John Walker, who wrote about the Sufferings of the Clergy during the Grand Rebellion, records that Holdsworth was hauled before the County Committee in 1646 for ‘reviling’ Parliament (see also the Committee for Plundered Ministers). His offences included ignoring the Directory set by Parliament to enforce puritan reforms, refusing sacraments to those not kneeling, allowing Sunday games and reading a Royalist “Protestation” in the middle of a sermon. He was also accused of being “several times drunk” and using “old notes as new sermons” for the past twenty years.
There were Baptists in Earl Shilton from 1651. These Dissenters from the established church met in cottages around Church Street and Mill Street as their religion was against the law. In the Restoration the Baptists were still persecuted, and the Shilton dissenters continued to worship in secret. Eventually Baptist worship was licensed by an act of Parliament. King Charles II’s state papers say that licenses to Edward Cheyney and William Biges of Earl Shilton were granted.
John Goadby died in 1714, and in his will he bequeathed to the ‘minister and poor Baptists in Earl Shilton – my close and its associated lands, commonly called Crowhearst. And to take any rents, fines or profits, for the disposal of the said Baptists.’
Many generations of Cheneys also worked for the Baptists, the last dying in 1815. A Baptist meeting house was built in 1758 and enlarged in 1844. The Sunday school began in 1801.
In 1861 economic disaster struck the village when the American Civil War broke out and cotton could not be exported. The Baptist minister, Reverend Parkinson, was forced to resign through lack of funds. Crowhearst and its land was eventually sold to Mr W H Cotton in 1928 and the money invested in government stock.
Licence of Cottages used for Worship in Earl Shilton
Not all dissenters were Baptists. William Randen was a Presbyterian.
Earl Shilton still has a Baptist church which celebrated its 360th anniversary with a special service on 22 May 2011.
In 1696, and at 15 years of age, Thomas Boothby inherited the estate of Tooley Park. Married three times, he acquired through his wives various estates in Staffordshire. From his mother, he inherited land at Foston in Derbyshire and Peatling, Countesthorpe and Earl Shilton in Leicestershire.
The ease of his position was such that the young ‘Tom O’ Tooley’ was able to devote himself almost exclusively to the pursuit of hunting. He established the first true pack of foxhounds in the country and the Quorn Hunt with a number of hounds inherited with the Tooley estate. Boothby embarked on an astonishing career of 55 seasons as founding Master of the Quorn Hunt.[citation needed]
Boothby kept a mistress, Catherine Holmes, at Groby Pool House. A local clergyman informed Boothby’s wife about her husband’s mistress. After his wife had confronted him, Boothby got hold of the minister in question and almost drowned him in Groby Pool.
His eldest son, Thomas Boothby-Skrymsher, was briefly member of parliament for Leicester.
Superstition was rife in 18th-century England, and there are many tales of ghosts, witches and spirits. A woman of Earl Shilton parish declared ‘that she had been bewitched by an old woman from Aston in 1776. Her accuser saw the old woman unceremoniously thrown into the horse pond, despite her 80 years of age. Luckily the old woman just managed to escape with her life.’
There was also the strange tale that came to light in 1778. A house in Earl Shilton, was said to be plagued by its former long dead occupant. Tables and chairs were known to dance about the room, while pewter dishes jumped off the shelves but alarm was worse when wigs and hats flew off the heads of their wearers. Villagers agreed that the disturbed spirit was a local man who could not rest in his grave because he had been defrauded in life. (Palmer 2002)
In 1705, the payment by the Reeve for Shilton manor was £34 8s 61⁄4d. The Reeve was voted into office annually by the freeholders of the parish. There were 61 freeholders who voted in 1719, but this number had dropped to 28 by 1785.
The Overseer of the manor had various facets to his job. Daniel Marvin, Overseer in 1755, made charges of 5 shillings for ale at the burial of a pauper.
In 1760, Alderman Gabriel Newton, of Leicester gave to Earl Shilton and Barwell £20 16s from his charity, for the educating of 20 poor boys from each village.
James Perrott was a successful surgeon who worked in Earl Shilton. He married the widow, Lady Ann Sharpe, and they lived in the village for over 40 years, until she died 1791, at the age of 62 years.
Famous for his prowess as a wrestler Samuel Marvin also lived in Earl Shilton.
The last persom to be incarcerated in the Earl Shilton stocks was a man called ‘Peg-leg Watts’ for a now unknown offence. The stocks were situated opposite the old churchyard. Also in the vicinity there was the village round house or gaol or lock-up,. Unfortunately all traces of which have now disappeared.
An Act of Enclosure was passed in 1778. Earl Shilton’s open fields, meadows and 1,500 acres (6 km) of heath land were all enclosed. Thomas, Viscount Wentworth, was entitled to all small tithes vacarial[check spelling] dues in Shilton.
Scrymshire Boothby had the entitlement of the great tithes, payment in lieu of tithes, hay and meadow lands in Hall fields and Breach field. The following year Scrymshire Boothby sold Tooley Park to John Dod, and the remainder of the estate was divided.
Shilton Heath, famed for over a century for its steeple chasing, was gone for good.
Viscount Wentworth also had his lands in Elmsthorpe enclosed, including an extensive rabbit warren. He exchanged these after 1778 for 2 acres (8,100 m) of land in Shilton parish.[citation needed]
The turnpike trust had two toll gates at Earl Shilton. One at the bottom of Shilton Hill, which was kept by a man called Harrison for many years. The other tollgate was where the Belle Vue road meets the Hinckley road. Travellers were said to have gone around by Elmesthorpe to avoid the gate and its tolls.
The gates were administered by the turnpike trusts, but were bid for every year by prospective candidates, which led to local corruption. Bribes were offered to win the contract, and not all of the money was spent on the upkeep of the roads. Many small parishes like Earl Shilton had a large mileage of roads within their boundaries and found it well-nigh impossible to maintain them.
Roads and pathways were very bad indeed. Cart-ruts ran deep down the main streets and the stones on the old “corseys” (footpaths) must have been very dangerous at times. Loose stone was very often strewn about, and it remained for the carts to roll them in, and in the era of the toll-gate the wider the wheels the less toll they paid to go through them. A great handicap, however, was the fact that these carts often followed in the existing ruts as a matter of course, and so made them worse. Roads and repairs were paid for through the Vestry, which had replaced the Barons Court of the 17th century. The Vestry met for many years in the Plough Inn, Church Street, setting the parson’s rate, church rate, poor rate, overseers rate, watch rate and the highway rate for the parish.
Stagecoaches passed frequently through Earl Shilton, it being on the route to Hinckley and Birmingham from Leicester. Coaches with names such as The Accommodation, The Magnet and The Alexander were all running in 1830. Coaches stopped at a place near to the White House in Wood Street, beside the Lord Nelson Inn. On one tragic occasion a coach overturned near to the entrance of Burbage Common and a man was killed in the resulting wreckage.
In 1800 there were 249 inhabited houses in Earl Shilton, with a further 8 uninhabited. The population stood at 1,287, 655 males and 632 females. Agriculture employed 118 villagers, while the 716 people employed in trade and manufacture showed the dramatic rise of stocking manufacture.
Thomas Green succeeded to the Baptist Church in Earl Shilton and in 1801, started the village’s first school, where reading and writing were taught, as well as to receive the elementary knowledge of the Christian faith. In 1850 John Green kept the school and was the master. He was given notice to quit; having displeased the Church. The notice, however, was cancelled and he was advised to “keep things in order.” This school kept going until 1858, when the Church of England Schools were built. The Church of England Schools had room for 200 children and cost £1,050 to build, the money being raised by subscription and grants. One school stood in the High Street and another in Wood Street.
The economy of the village in the 19th century was based mainly on boots and stockings. Stocking makers worked ten, twelve and even 15 hours a day at their frames, for seven or eight shillings per week. Frame rents were high and varied from one shilling to three shillings per week. Poverty and disease were rife. In Hinckley there was a framework knitters’ strike in 1824. Two years later, disorder in the town was quelled when a detachment of lancers arrived, killing one man.
The Earl Shilton village population had risen to 2,017 by 1831.
Many Earl Shilton people in the 1840s became destitute and sought refuge in the Union Workhouse at Hinckley, locally known as “The Bastille”. Economic conditions had become very bad, the decade became spoken of as the “Hungry Forties”. Queen Victoria ordered an inquiry into the distress, and in 1843 sent a commission headed by a Mr. Muggeridge, who obtained much information from interviewing work-people and employers. Earl Shilton frame-work knitters and hosiers gave evidence at the enquiry. Rich Wileman, of Shilton, described himself as the oldest stocking manufacturer in the kingdom, and stated that many thousands of dozens of socks were sent to the American market every year.
At a time when a reasonable daily wage was 4/-, a report showed the weekly earnings in 27 parishes varied from 4/- to 8/- a week, Hinckley district being 5/3, Bosworth 4/6, Ibstock 4/- and Shepshed 5/6. Frame rents in the cottages were high and varied in different parishes from 1/- to 3/- per week. This rent and the addition of the Truck Act 1831, made poverty and disease rife in the Leicestershire parishes. The Truck Act stated that goods had to be paid for in cash instead of in kind and, as usual, hit the poorest the hardest. Had it not been for their allotments grounds, things would have been much worse, as it was many were close to starvation.[citation needed]
Sheep stealing, highway robbery and burglary were common in the 1840s. It was not safe to go out after dark. If a man was caught sheep stealing, he was sentenced to 14 years transportation, which was also the sentence for anyone who was driven by hunger to take a pheasant from the woods.
In 1844 there were in Shilton alone 650 stocking frames. Mr. J. Homer, giving evidence to the commission, said that the whole of these were in the houses of the workpeople at that time. Neither the workshop, nor the factory system was in operation in Earl Shilton until after the findings of the commission were made public.
Stocking making in the home quickly died out with the introduction of the factory system. Both the boot and shoe and the hosiery industry eagerly took to the new system of working and for the first time people began to be regulated by time, as the factory needed villagers to work in unison. The last known stocking-frame in Earl Shilton disappeared when its owner, a man named Mr. Pratt, who lived in Wood Street, died.
Earl Shilton saw its first hosiery strike in 1859. The employers involved were Messrs. Homer & Everard. Almost 130 operatives took strike action, and an appeal was sent out to workers of three counties for aid for the Earl Shilton strikers to fight it.
Church of SS Simon and Jude, Earl Shilton
The traditional greeting of the Leicestershire miners was ‘old bud’ (old bird). This has now been replaced by ‘me duck’.
Many Shilton men joined the old ‘Volunteers’, belonging to the Hinckley Company; these were later incorporated in the ‘Militia’. Clad in their red jackets, blue trousers and pipe clayed trimmings with pointed helmets, it is said that on Saturday nights Earl Shilton resembled a garrison town when everyone wore their uniform.
The Leicester Mercury was first published in 1836. Newspapers in the 18th and 19th century were very few, and many Shiltonians brought up before the First World War remembered when one copy was shared by several families. These were read aloud in the candlelight of the poor homes of the villagers, the few people able to read being in great demand. The old Candle House, where candles were made, stood for many years in Almeys Lane, and during renovations to the Baptist Chapel much brickwork of the Candle House was incorporated in the building.
Election days in the village were, prior to the universal franchise, very hectic. The candidates usually arrived at the polling stations (usually the schools) in horse cabs. They were often assaulted by the crowds, and top hats worn in those days were often sent flying. Many of the rougher element were given beer and locked up for the day to preserve the peace.
Morris dancing took place on Plough Monday, when the dancers went round the village to collect money. If this was refused they entered the house and refused to quit until ransom was paid either in cash or food. Fishing nets on long canes were carried to reach bedroom windows where they had locked doors. German bands also visited the village, as did travelling bears, which danced to music.
In 1861 the village crier was Thomas Foster, who advertised sales, meetings and public news. The last man to hold this post was a blind man called Bannister, who also made baskets.
Houses in the village were rented by groups of men who, when they had finished their work, then “shopped it”, or took it, to some central depot in the village, and were usually paid each trip. ‘Sweaters’, or child labour, were often exploited, and regularly after a period of drunkenness these sweaters were compelled to sit working all night with their elders to make up for lost time. Many worked from the age of eight or nine, in the local parlance “got more kicks than half pence.”
In the middle of the 19th century Job Toon began trading as a grocer and licensed victualler in Earl Shilton. Job was a devout Methodist, and his shop was still trading in 1868. In 1850 he installed his first stocking frame in his home, which laid the foundations of J Toon and Son. He worked the stocking frame with his wife Matilda, and gradually purchased more frames and rented them out in the community. Job would pay for the stockings produced, minus the rent of the frame. Job purchased a small building just off Wood Street, and the early factory was powered by steam. Horse and drey took the factory produce to Elmesthorpe station.
Job Toon had three sons Alfred, James and Carey. Alfred and James went into the hosiery business, while Carey became a successful local farmer. Alfred was the senior partner and earned a salary of £5 per week. In those early days stockings were not so delicate and were sold by weight, warmth not high fashion appears to be paramount as the heaviest were the most expensive. In this period much of Toon’s trade was with South America. Alfred had four sons, two of them died in the 1930s, and his two surviving sons, Stanley and Carey, took over the firm that now operated over 1,000 knitting machines.
The ‘Wake’, or local fair, was a holiday in Earl Shilton and held always held on the last Sunday in October, traditionally on the saints day of the parish church. According to old accounts in the parish, Ale drunk on Feast Day (Wake) in 1809 was £5 12s. 0d, and in 1820 £6 5s. 6d. People had a full week’s holiday from work, public houses were open all day, and “captains” were elected to take charge of the singing. The captain was also responsible for the whips round for beer, which entitled all and sundry to drink together and so retain the company.
The wide portion of the Hollow, nearest the Wesleyan Chapel, was the earliest site for the Wake amusements. The stalls and roundabouts extended the full length of Wood Street. The wakes also incorporated a procession around the village.
Mr. Hopkins, a well-known resident of Keat’s Lane, was a proprietor of amusements. A large boat on wheels, and drawn by horses, went the whole length of the village, for the use of the children.
At the turn of the 20th century a field in Station road also became the site for the annual wake or fair. The amusement part of the “Wakes,” roundabouts, etc., were very prominent on this field.
On the other side of the road there were also numerous entertainments from time to time, including those well-known “Strolling Players” of Holloway’s Theatre. Many people enjoyed these shows and were able to see fresh plays every night in the players’ stay at Shilton. No one may now recall the plays “Maria Martin and the Red Barn,” “The Face at the Window,” “The Dumb Man of Manchester,” but they did drawcrowds.
An old stone building, which stood near to the Baptist Chapel, was known as the Pinfold. This was a place for penning stray cattle prior to the enclosure of the common fields – 1758. It was latterly used as a place for weighing stone from the old Parish Quarry.
In the village a knocker-up was employed in the 1880s and for over 50 years ensured that people attended the early Sunday morning classes.
The Old Smock Mill stood near to the Parish Quarry. Built around 1800, at a cost of £800, it stood for over a century before being demolished. It was a noted landmark and a favourite place for rambles and picnics. There were two other mills in Earl Shilton, one stood on the Wood Street Recreational ground near the ‘Mount’, while the other was near the top of Birds Hill.
It is possible to go the whole length of “Old Shilton” without touching the main street, via a maze of paths known as “The Backs.” The reason for their preservation is believed to be that the old field pathways have kept their rights of way throughout the centuries, and the haphazard planning of the straggling village made desirable the small alleys leading to the main street.
Wood Street, locally known as Wood End, is the way leading to the wood referred to in the Domesday Survey, via the “Heath Lane,” which was noted in the 17th century for steeple chasing. The Raven family possessed an enormous mangle. This was considered to be an outsize of its kind, and washing came from the village to The Hollow to be mangled by it.
The Workhouse Gardens and Spring Gardens are names to be conjured with in this area near the church. No doubt both had great bearing in the life of the community in bygone days. Rackett Court once stood near to the “Hill Top.” These were old Tudor buildings, and a flue sketch of them can be seen in “Highways and Byways of Leicestershire.” A recluse by the name of John Freestone was the last occupant. On the opposite side of the road is an ancient barn, containing very massive oak beams. This gives the name to this part of the locality of the Barn-end.[citation needed]
There are a few old Georgian three-storied houses around “Hill Top,” and a very old thatched house opposite the “Roebuck Inn,” with date on the front of the year 1714. It is one of the very few thatched ones surviving in Shilton. Keats Lane was formerly known as “Cake Lane,” and once it contained many old-fashioned houses. It overlooks the Vale of Kirkby and other scenery.
A bake-house was situated many years ago near to Whitemore’s factory, and a bell was rung when the oven was hot. This was when the bread was made at home and sent to the bakers. This is probably, too, the origination of “Cake Lane.” There was also a bake house in Candle Maker Alley, a small lane running between Almys Lane and the top of The Meadows, where between the World Wars, local folk would take their roasts along to be cooked in the oven.
Near to the present West Street stood the old Yew Tree Farm, prior to the erection of the present Jubilee Terrace. An malt-house once stood on this spot, and when it was demolished a large wall was built with the bricks, facing the present “Fender Row.” This wall has now disappeared with the building of the Council houses.
The “Dog and Gun Inn” was removed in the 1930s to another site at Keat’s Lane, a little distance from where the old licensed house had sold beer for over 150 years. This old building still exists today as a private house.
There was also in Keat’s Lane, up until the 1940s, a glove business that used hand frames, and was run by Mr Linney. Spindle Hall, close by, was the last dwelling house in memory to contain the old glove frames. “Wightmans Row” and the old “Glove-Yard” have, like many more old houses, been demolished.
In 1861 the American Civil War broke out, and Earl Shilton was hard hit by the Union blockade of the Confederate States’ ports, preventing cotton exports. Conditions akin to famine prevailed in Earl Shilton as the chief trade of the area was frame-work knitting, carried out in nearly every house. The Baptist minister, the Rev. Parkinson, had to resign through lack of funds. The Rev. Freesdon said “that a church that could not support its minister, and a pastorate that had commenced with so many signs of blessing, ended through a war raging on the other side of the Atlantic”.
At this time building of Elmesthorpe Road was begun as relief work. Many of the workers received no more than bread and meat for their labour. At this time more than 1,200 people were out of employment. The work was sponsored by the Earl of Lovelace and his daughter, the Lady Anne Noel, and carried out in 1862–63. They also forwarded £800 to the unemployed cotton workers to work worsted instead of cotton.
The depression seemed to continue for many years, and the figures given by the Hinckley District Relief Committee in July, 1864, make interesting reading – Subscriptions raised in Earl Shilton parish were to the amount of £161 1s. 4d, while the destitute poor received from that fund £992 10s. 4d., in addition 195 barrels (31.0 m) of flour, 30 sides of bacon, 100 tons of coal and left-off clothing were distributed by this fund in the district.
Toward the end of the 19th century several pieces of land were held by the parish as charitable lands. They were Town Land Meadow, Town Land Close, the Barn Close (near Hill Top), the Old Close and part of Breach Field. These lands were rented out and the income used for poor relief. Among other relief the poor of the parish would receive bread at Easter and Coal at Christmas. Allotments were also set-aside for the poor. One set of plots was at the bottom of Shilton Hill and a second in the Townlands off Breach Lane.
In 1871 Wood Street School opened for around 30 pupils and the headmistress was a Miss Witnall. Wood Street was a very small school with only 2 classrooms. In 1907 they added 2 extra classrooms and a corridor, as village expansion led to overcrowding at the school.
By 1965, numbers had risen to such a degree that they used the church hall for school dinners, physical education and music and movement sessions.
Wood Street School was partly burned down in the early hours of 17 January 1984, following a break in. The curtains were set alight which in turn ignited an oil feed pipe, causing major damage and ultimately the school’s demolition.
Station road was known as Breach Lane before the railway arrived, and with the exception of “The Lodge” and a few houses near to the Hollow it was very thinly populated.
The old brickworks were situated on the site of present Metcalfe Street, which was named after Mr. James Metcalfe, for many years a headmaster at the High Street Church of England School.
The Gas Works (now dismantled) were also situated in Station road, and were built in 1866 by the Earl Shilton Gas Light and Coke Company. Mr A Lee was the manager.
The Social Institute (known locally as the ‘Stute’) was founded at the turn of the 20th century to provide a social and sporting outlet for the young men of Earl Shilton. Its first home was in two rooms above the H.U.D.C. gas showroom in Wood Street.
A Grand Bazaar was held in Earl Shilton on 28–29 December 1908, at the High Street School, to raise funds for a new building for the Social Institute. There was also a public subscription, and a mortgage guaranteed by local industrialists, who were the founders and formed the Management Committee. The new premises were built in Station Road in 1909. The Institute organised football, cricket, chess club, skittles and billiards, and had a rifle range. The building is now used by Little Stars play school.
Annually circuses and wild animal shows were held in Earl Shilton, before to the advent of the cinema.
In 1910 the Royal Rink roller skating rink was opened. Later Mr H S Cooper converted it into the Picture House cinema. It was popularly nicknamed ‘Harrys’.
After the Second World War generations grew up attending the Saturday matinees at the Picture House, or sessions at the new, outdoor, roller skating rink built beside it. The grandeur of the old Royal Rink could never match the Danilo or Gaumont in Hinckley, but it still drew a sizeable crowd. In the 1960s the cinema was taken over by Mr Cooper’s daughter Freda, and her husband Jack Aldridge, who had formerly run a local taxi firm.
The Roman Catholic church of St Peter was built in 1908 in Mill Lane. The Roman Catholic school next to it was built in 1910 for the education of 80 children. A convent and priest’s house were added later. The church was under the patronage of the Worswick family, who had their country seat at Normanton Hall (now demolished), which was outside Earl Shilton on the road to Thurleston.
In the First World War, German prisoners of war were held at Normanton Hall. A fire destroyed Normanton Hall in 1925, and the property was subsequently sold off. Shortly after the demolition of the house, the ornate altar was presented to St Peter’s church. A fire in the 1940s, destroyed part of the building.
The convent was several times empty in the 1930s and 1940s, but was reconditioned and used as a seminary. It was for some years also used as a hosiery factory.
In 1983 a new Roman Catholic Church of SS Peter and Paul was completed in Melton Street.
The first Boy Scouts troop was formed around 1916. The original Master for the Earl Shilton troop was Mr Horace Perkins, and Mr W Cotton was president.
Mr Perkins recalled – ‘Much of the Scouts equipment was homemade. In the early days we water proofed heavy bed sheets and would sew them into tents’. The Scout troop took part in the World Jamboree, at Olympia, London in 1920. During the Jamboree they camped at Barnet, Hertfordshire.[citation needed]
A thousand men from Earl Shilton served in UK forces in the First World War. Many men from Earl Shilton, in the Fifth Battalion, the Leicestershire Regiment, also served in Ireland in the 1916 Easter Rising. The village factories also supplied the Government with thousands of pairs of socks and army boots. These same manufacturers also supplied vast orders for the Russian Cossacks.
In the latter part of the war, Earl Shilton held a ‘big gun week’, when a large howitzer was paraded around the village. Many were invited to buy War Bonds. Military bands often visited the village to inspire recruiting. In a very different age when information was seriously censored and patriotism was paramount, young men clamoured to join up. In one week alone 80 enlisted, and were cheered on by crowds of happy followers as they marched to Elmesthorpe station on their way to the Western Front.
Hostilities ended on 11 November 1918. All work was suspended for the day, while flags and bunting appeared in windows. Fireworks were let off and a comic band toured the streets. Watching silently were the German prisoners of war who were working in the area and billeted at nearby Normanton Hall.
A captured field gun stood for a time near the Wesleyan Chapel, and was removed for a time to a field off station road. The gun’s final resting place was the Wood Street Recreation Ground, which was once a sand pit, where the gun was later buried.
More than 100 men from the village were killed in the conflict, and a cenotaph was erected in their memory. Two soldiers, both Earl Shilton men, who died in 1916 and 1917, are buried in the parish churchyard. On wake Sunday 1919, and for many years afterwards, the British Legion, public bodies and factories held a parade for the dead.
In the Second World War there were 192 air raid alerts in Earl Shilton, the first occurring on 26 June 1940 and the last on 20 March 1945. The village siren was erected on the factory of Toon and Son in Wood Street. Many villagers had shelters put in their gardens, but there were also public shelters in Wood Street, Station Road, Almey’s Lane, Keats Lane, The Hollow and Belle Vue.
The Home Guard, was organised in June 1940. They had their headquarters in a large house near Birds Hill called ‘Holydene’. Three parachute mines were dropped on the night of 20 November 1940. One landed in Barwell while the other two came down in the Northwest corner of Earl Shilton. One of these mines failed to explode, and there were no casualties.
More incendiaries fell in Elmesthorpe on 4 December 1940. The German plane was brought down near Leicester Forest East. The Earl Shilton Home Guard were called out to the scene and prisoners were taken.
At 7am on 27 July 1942, a lone German bomber dived out of the clouds near the church and let go of three stick bombs. They landed at the back of Mr T Carter’s farm in Church Street, destroying a barn and badly damaging a house. Mr Carter had a very lucky escape himself, as he was out in his yard at the time only 20 yards (20 m) from the blast. A bull was so badly injured that it had to be put down. The plane went on to machine gun those unfortunate enough to be going to work.
At the top end of the village, the Air Raid Patrol wardens, met in the back room of the Plough, a Public House then run by Joe Lucas. They patrolled the streets checking the blackout and fire watching.
There was a munitions factory opened in the village. The village also took child refugees from Coventry, Birmingham and London.
Soldiers were billeted in most of the public buildings in the war. The military authorities requisitioned the Working Men’s Club dance hall, the Adult School Hall, the Social Institute, Constitutional Club, and the Co-op village hall. After the Dunkirk evacuation, the Sussex Yeomanry moved into the village, being replaced in turn by the Royal Army Ordnance Corps, Royal Artillery, Royal Marines and the Pioneer Corps. The Wesleyan Chapel in the Hollow was transformed into a British Restaurant, for the troops. Training was undertaken on the recreation grounds and other open spaces around the village. Mr Astley’s sand pit in Heath Lane was used as a shooting range.
About 900 local men and women served in the UK armed forces, of whom 25 were killed on active service. One local man, Ordinary Seaman Ernest Holt, of HMS Mohawk, who died in October 1939, is buried in the parish churchyard Two soldiers are buried in the separate Earl Shilton Cemetery.
William Iliffe introduced the knitting frame to Hinckley in 1640. In 1694, Sir Verney Noel, of Kirkby Mallory, left £100 for the poor children of Earl Shilton to be sent to London, to be taught the art of Framework Kitting.
Between the 19th and late 20th centuries, Earl Shilton was an industrial village with numerous shoe, hosiery and knitwear factories. The boot and shoe factories included Orton’s, Eatough’s and Pinchess’s, and other, smaller, operations. At one time Earl Shilton produced boots for the Russian army.
Many of these businesses have now closed due to competition, but a few continue into the 21st century. Alongside the boot and shoe trade other businesses thrived, including local carriers such as Woodwards (now the bakery distribution business) and Crowfoots (still operating as a parcel carrier). Both of these businesses are now based nearby in Barwell.
The Earl Shilton Building Society was established in the village in 1857 and still has its head office here. In 2022 it was the 42nd largest building society in the UK.
The town is on the A47 road, with a bypass opened in 2009. Bus services come from Arriva Midlands and Stagecoach Midlands, with services running around the town to Hinckley, Nuneaton and Leicester.
The South Leicestershire Railway, formed in 1850, extended its line to Elmesthorpe where a station was built to serve Earl Shilton and Barwell in 1863. It closed in 1968. The nearest railway station today is at Hinckley
Sport has been represented in Earl Shilton by several worthy exponents, especially at cricket.
The present Earl Shilton Town Cricket Club play at Keats Lane to the north of the town. Sam Coe (1873-1956), Arthur Hampson (1878-1952), Loni Brown and Joe Brown were all selected for county honours. Billy Ball and George Panter, of an older generation, were also outstanding. Earl Shilton had a regular fixture at one period with Coventry and North Warwickshire Sports Club.
Shilton Victors, a football team who had their headquarters at the “King William IV” public house, won three cups in a single day, a very noteworthy achievement. Most of the factories in the village ran sides for the benefit of the Earl Shilton Sunshine League. These matches were played after tea when work ceased, and very keen rivalry was witnessed, and good football without the frills was usually served up for the large crowds that assembled. Mr. H. Bradbury presented a silver cup that was played for each year by knock-out competition. The venue for these hectic matches was in a field off Station Road at the rear of the Constitutional Club. By 1923 Earl Shilton had many football clubs playing. The church and chapel fielded useful sides, also very often second elevens. The Adult School fielded three sides for quite a long time, and rented two fields, one which was situated on The Mount. The town’s present-day football team, Earl Shilton Albion FC play in the Leicestershire Senior League Division One, and their home stadium is Stoneycroft Park.
Bob Newton (1946–2009), a professional footballer who appeared in Football League matches for Leicester City and Bradford City, was born in Earl Shilton.
Foot racing was once very popular, and many wagers were run for around the local fields. On one occasion the village sweep who was to cycle on his three-wheeler, challenged a well-known local runner to race from Shilton Hill to Kirkby, the runner to have the length of the hill start. The runner was easily passed down the Kirkby Lane and retired.
Between the World Wars Earl Shilton boasted a horticultural society, which held an annual flower and sports event in a field in Kings Walk. Cycle racing, high jumps, donkey racing and all manner of foot racing were part of its programme.
A short lived greyhound racing track was opened during 1928. The racing was independent (not affiliated to the sports governing body the National Greyhound Racing Club) and was known as a flapping track, which was the nickname given to independent tracks.
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