Belly Dancing Classes In Retford, Nottinghamshire England

Raqs Sharqi

Welcome to the captivating world of belly dance classes in Retford, Nottinghamshire England!

Imagine yourself swaying gracefully, like a shimmering goddess, as the music fills the air. In these enchanting sessions, you will embark on a journey that celebrates womanhood, self-expression, and body confidence. The rhythmic movements of belly dance not only tone your core muscles but also unleash your inner sensuality.

Throughout the belly dance lessons offered at our Retford location, you will learn an array of techniques, including hip shakes, undulations, and independent movements, that will enhance your coordination and flexibility. Expert instructors will guide you through each step with care and precision.

As you delve deeper into this ancient art form, you’ll discover various styles of belly dance such as Raqs Sharqi, Anatolian, and Tribal Fusion. 

So put on something comfortable yet alluring – perhaps a flowy skirt or hip scarf – and get ready to immerse yourself in the magic of belly dancing classes. Let loose, warmly accept your femininity, and ignite a flame within that will keep burning long after the music stops. Join us for an extraordinary experience!

 

What Is Belly Dance?

 

Belly dance, also known as the ancient art of Raqs Sharqi, captivates with its graceful movements and detailed choreography. This spellbinding dance form has a rich history that dates back centuries. Originating in the Middle East, belly dance has become popular worldwide and has evolved into various styles.

When exploring belly dancing origins, you will discover influential dancers who have left their mark on this art form. From Samia Gamal to Dina Talaat, these famous belly dancers have showcased their exceptional skills and charisma on stage, inspiring generations to embrace this enchanting dance.

One cannot discuss belly dancing without mentioning the glamorous costumes that accompany it. Adorned with glitter, coins, and vibrant fabrics, these outfits enhance the dancer’s movements and add an air of allure to the performance.

Another vital element of belly dancing is the music. The rhythmic beats of traditional instruments like the tabla create an enchanting ambiance that transports both dancers and spectators into a world filled with passion and sensuality.

Besides its aesthetic appeal, belly dancing offers numerous benefits for both body and mind. It improves flexibility, strengthens core muscles, enhances posture, boosts self-confidence, relieves stress, and promotes self-expression.

Now that you’ve delved into the intriguing aspects of belly dance culture, let’s explore how you can experience this enchanting art firsthand through belly dance classes.

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Retford Belly Dancing Classes

 

If you’re interested in learning the art of belly dancing, there are a variety of classes available in Retford to suit your skill level.

  1. Beginner belly dance classes provide a foundation for mastering basic movements and techniques.
  2. Intermediate belly dance classes build upon these skills, allowing you to further refine your technique and learn more complex choreography.
  3. Group belly dance classes offer a fun and supportive environment where you can dance alongside others who share your passion.
  4. Private belly dance classes provide personalized instruction tailored to your specific needs and goals.

The average cost of belly dance classes varies depending on the location and instructor, but investing in these classes is well worth it for the joy and confidence that come from mastering this captivating art form.

 

Beginner Belly Dance Classes In Retford, Nottinghamshire

Get ready to shimmy and shake your way into the world of belly dance with our beginner classes that will have you feeling like a graceful goddess in no time! In our beginner belly dance classes, we will teach you all the essential techniques to get started on your belly dance journey. You’ll learn the basic movements such as hip drops, shimmies, and figure eights, while also exploring the rich history of this mesmerizing art form.

We’ll delve into the origins of belly dance and introduce you to famous belly dancers who have contributed to its popularity throughout the years. Immerse yourself in the captivating rhythms of belly dance music and discover how it enhances your movements. And of course, we’ll guide you in selecting beautiful belly dance costumes that make you feel confident and elegant. So get ready to take your skills to the next level as we transition into our intermediate belly dance classes.

 

Intermediate Belly Dance Classes In Retford, Nottinghamshire

Prepare to be mesmerized as you delve deeper into the enchanting world of belly dance in our intermediate classes, where your movements will exude confidence and grace. In these classes, you will learn advanced belly dance moves that will take your skills to the next level.

Our experienced instructors will guide you through a variety of intermediate belly dance techniques, allowing you to explore new ways of expressing yourself through this beautiful art form. You will also have the opportunity to learn unique belly dance choreography and master improvisational belly dance, giving you the freedom to create your own routines. Additionally, our instructors will provide valuable belly dance performance tips to help you shine on stage.

As your journey continues, get ready for even more excitement in our group belly dance classes, where you’ll connect with others who share your passion for this captivating dance form.

 

Group Belly Dance Classes In Retford, Nottinghamshire

In our group belly dance classes, you’ll have the opportunity to connect and collaborate with fellow dancers who share your passion for this mesmerizing art form, creating a vibrant community of artists. Joining these classes allows you to experience the power of group dynamics firsthand as you bond with like-minded individuals on a journey towards self-expression.

Not only will you learn new dance techniques and choreographies, but you’ll also gain social benefits that extend beyond the studio walls. Imagine feeling body confident as you embrace your curves and movements alongside supportive friends who uplift and inspire one another. Through this cultural expression, you’ll discover a sense of belonging and empowerment that transcends mere dance steps.

As part of our group, performance opportunities become more accessible, allowing you to showcase your talents while sharing the joy of belly dancing with enthusiastic audiences. Transitioning into private belly dance classes will take your skills and confidence to even greater heights without skipping a beat.

 

Private Belly Dance Classes In Retford, Nottinghamshire

By enrolling in private belly dance sessions, you’ll delve into a personalized journey of self-discovery and growth, unlocking the true essence of this captivating art form. Private belly dance lessons offer an intimate setting where you receive individualized training tailored specifically to your needs and goals. With exclusive dance coaching, you have the undivided attention of your instructor, allowing for focused instruction and accelerated progress.

These one-on-one sessions provide a safe space for you to explore your strengths and areas for improvement without any external distractions. Your instructor will guide you through each movement with precision and expertise, ensuring that you master the techniques with grace and confidence. The personalized instruction in private belly dance classes empowers you to develop your unique style while building a strong foundation in this ancient art form.

Now that we’ve explored the benefits of private belly dance classes, let’s move on to discuss the average cost of belly dancing classes…

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Average Cost Of Belly Dancing Classes In Nottinghamshire

 

If you’re considering private belly dance classes, you’re in for a treat! Now, let’s talk about the average cost of belly dancing lessons. When it comes to investing in yourself and your passion, it’s important to know what to expect financially. The cost of belly dancing classes can vary depending on several factors such as location, instructor qualifications, class schedule options, and popularity. To give you an idea, let’s do a quick cost comparison.

In popular locations like New York City or Los Angeles, the average price ranges from $50 to $100 per hour-long session.

However, keep in mind that some studios offer package deals or discounts for multiple sessions. So make sure to explore all your options and find the best fit for your budget and goals. Speaking of goals, next we’ll dive into what you will learn during belly dance lessons – get ready to shimmy and shine!

 

 

What You Will Learn During Belly Dance Lessons

 

 

When taking classes to become a belly dancer, you will learn a variety of belly dance steps and techniques that are essential to mastering this art form. From hip drops and shimmies to snake arms and figure eights, you will be guided through each movement with expert instruction.

Additionally, you will have the opportunity to learn and perform belly dance choreography, allowing you to showcase your skills in a dynamic and captivating routine.

Finally, proper belly dance posture is emphasized throughout the lessons, ensuring that you develop the grace and alignment necessary for executing movements with precision and fluidity. Get ready to embark on an exciting journey of self-expression and empowerment through the beautiful art of belly dancing!

 

 

Belly Dance Steps & Techniques

Master this mesmerizing dance art style with these essential belly dancing techniques that will have you shimmying and shaking like a pro in no time!

  • Hip Circles: One of the foundational moves in belly dancing, hip circles involve isolating and rotating your hips in a circular motion. This move not only strengthens your core muscles but also adds grace to your performance.

  • Snake Arms: To add fluidity and elegance to your dance, master the snake arms technique. Imagine yourself as a snake slithering through the air, gracefully moving your arms in flowing movements.

  • Shimmy: The shimmy is an iconic belly dance move that involves rapidly vibrating different parts of your body, usually the shoulders or hips. It adds excitement and energy to your performance, making it captivating for both you and your audience.

As you gain confidence with these belly dance techniques, you’ll soon be ready to explore the world of belly dance choreography.

 

 

Belly Dance Choreography

Once you’ve learned the essential steps and techniques, you can start creating your own belly dancing choreography that showcases your unique style and personality. For example, imagine yourself performing a captivating choreography to traditional Middle Eastern music, incorporating graceful arm movements and dynamic hip accents that tell a story of love and longing. As you explore the world of belly dance choreography, remember to experiment with different combinations of steps and techniques to create interesting sequences.

Consider the rhythm and melody of the belly dance music as you craft your choreography, using it as inspiration for your movements. Additionally, don’t forget about the importance of belly dance costumes in enhancing your performance. They can add flair and elegance to your choreography, making it even more visually stunning. So go ahead, let your creativity flow as you delve into the art of belly dance choreography.

Now let’s transition into discussing proper belly dance posture and how it contributes to a graceful performance.

 

 

Proper Belly Dance Posture

Now that you have learned some beautiful belly dance choreography, it’s time to focus on perfecting your posture. Proper belly dance posture is essential for not only executing movements correctly but also preventing injuries and maximizing the benefits of this ancient art form. Let me share some valuable tips to help you achieve proper alignment in your belly dance practice.

Firstly, maintaining a straight spine is crucial. Imagine a string pulling you up from the crown of your head, elongating your torso. Engage your core muscles and relax your shoulders down and back. Avoid overarching or rounding your back, as this can strain your lower back.

By improving your posture in belly dance, you will enhance the elegance and grace of each movement while promoting better muscle engagement and body awareness. So remember, proper alignment is key to achieving fluidity and precision in this captivating dance style.

 

 

What Do Traditional Belly Dancers Wear?

 

 

When it comes to the professional belly dancing costume is an essential component of the performance. You will learn about the intricate details and embellishments that make up a traditional belly dancer’s outfit, including the vibrant colors and ornate designs.

From flowing dresses to crop tops, you will explore different styles of belly dance attire that enhance your movements and showcase your personal style. Additionally, hip scarves adorned with coins or beads are an iconic accessory that adds flair and emphasizes hip movements during your performances.

 

 

Traditional Belly Dancer Outfit

To fully embrace the vibrant art of belly dancing, you’ll love wearing the mesmerizing traditional outfit of a belly dancer. The traditional belly dancer costume is a true work of art that reflects the rich cultural heritage of this ancient dance form. Here are some key elements of the traditional belly dancer outfit:

  • Embellished Bra: The top often features intricate beadwork and sequins, accentuating your curves and adding a touch of glamour.
  • Flowing Skirt: The skirt is typically made from lightweight fabrics like chiffon or silk to allow for graceful movements and twirls.
  • Hip Scarves: These scarves with dangling coins or beads enhance hip movements and create captivating sounds as you dance.
  • Coin Belt: Worn around the waist, it adds a delightful jingle to your steps, emphasizing rhythmic hip articulation.

The traditional belly dancer outfit not only celebrates femininity but also pays homage to the cultural significance of this dance form. As we move on to discussing ‘belly dancing dress’, let’s explore how modern fashion trends have influenced this timeless attire.

 

 

Belly Dancing Dress

Embracing a fusion of modern fashion trends and timeless elegance, the belly dancer’s dress exudes an enchanting allure. The belly dancing costume is designed to highlight the graceful movements of the dancer, while also reflecting her unique personality. Made from luxurious fabrics such as chiffon or silk, these dresses feature intricate beadwork, sequins, and embroidery, adding a touch of glamour to each twirl and shimmy. 

To complete the ensemble, belly dancers often adorn themselves with beautiful accessories like jingling coin belts and ornate headpieces that catch the light as they move. The mesmerizing rhythms of belly dancing music guide their steps as they glide across the dance floor in comfortable yet stylish belly dancing shoes. Additionally, props like veils and finger cymbals add an extra layer of excitement to their performances. Transitioning seamlessly into the next section about ‘belly dance tops’, let’s explore another essential element of a belly dancer’s wardrobe.

 

 

Belly Dance Tops

Now that you’ve found the perfect belly dancing dress, it’s time to complete your ensemble with the right belly dance top. Belly dance tops, just like dresses, come in a variety of styles and designs to suit your personal taste and performance needs. From intricate beaded halters to flowing chiffon blouses, there are endless options to choose from when it comes to belly dance fashion.

Accessorizing your top with matching jewelry and a hip scarf can really elevate your overall look. The right combination of belly dance costumes and accessories can make you feel confident, beautiful, and ready to showcase your skills on the dance floor.

When it comes to belly dance trends, keep an eye out for unique patterns, vibrant colors, and innovative designs. Stay ahead of the game by incorporating these trends into your performance outfits.

 

 

Hip Scarves

Are you ready to add some sparkle and jingle to your belly dancing classes? Look no further than the fabulous coin scarf! This vibrant accessory features rows of coins that create a mesmerizing sound as you move. Not only does it enhance your movements, but it also adds a touch of glamour to your dance routine. Get ready to make a statement and captivate your audience with the enchanting coin scarf!

 

 

Coin Scarf

Wearing a coin scarf will transport you to the magical world of belly dancing, as its jingling sound adds an enchanting touch to your every movement. It is one of the essential belly dance accessories and a key component of any belly dance costume. The history of coin scarves dates back centuries, originating in Middle Eastern cultures. To tie a coin scarf, simply wrap it around your hips and secure it with a knot. Now that you know how to enhance your outfit, let’s explore what to wear to the belly dance class studio next.

 

 

What To Wear To The Belly Dance Class Studio In Retford England

 

 

Make sure you’re dressed in comfortable and stretchy clothing when attending a belly dance class so that you can move freely and confidently. Belly dance attire is all about expressing yourself through movement, so it’s important to wear something that allows for flexibility. When it comes to belly dance fashion, there are many options to choose from. Whether you prefer the traditional look of a belly dance costume or the more modern approach of mixing and matching different pieces, the choice is yours.

In terms of tops, you can opt for a fitted tank top or a loose-fitting blouse that allows for easy movement. As for bottoms, yoga pants or leggings are popular choices as they provide comfort and flexibility. Don’t forget to bring a hip scarf or coin belt to add some jingle to your moves!

Now that you know what to wear to belly dance classes, let’s move on to how long it takes to learn belly dancing. Learning any new skill takes time and practice, but with dedication and enthusiasm, you’ll be shimmying and shaking in no time!

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How Long Does It Take To Learn Belly Dancing?

 

Becoming proficient in belly dancing takes time and practice, but with focus and eagerness, you’ll be mastering the art of graceful movement in no time! Here are three key points to keep in mind as you embark on your belly dance journey:

Average Time: The length of time it takes to learn belly dancing varies from person to person. On average, it can take between six months and a year to become proficient in basic moves and combinations. However, mastering more advanced techniques may require several years of dedicated practice.

Learning Process: Belly dancing is a beautiful and intricate dance form that requires patience and perseverance. It involves learning various isolations, shimmies, undulations, and hip movements. Breaking down each movement and practicing them individually before putting them together is crucial for progress.

Practice Schedule: Consistency is key when it comes to learning belly dancing. Setting aside regular practice sessions throughout the week will help you build muscle memory and improve your technique faster. Aim for at least two to three 30-minute practice sessions weekly.

While the learning process may present some challenges such as coordination or flexibility issues, the benefits of belly dancing are worth it. Not only does it provide an excellent overall body workout, but it also boosts self-confidence, improves posture, increases body awareness, and allows for creative expression.

With these insights into the usual duration involved, process of learning, consistent practice regimen, common challenges faced by beginners, as well as the multiple benefits of engaging in belly dancing in mind; let’s explore whether anyone can learn this captivating art form without any further delay!

 

Can Anyone Learn to Belly Dance?

 

If you’ve ever wondered if belly dancing is something that anyone can learn, the answer is a resounding yes! Belly dancing is a dance form that anyone, regardless of age, sex, or body type, can learn and enjoy. Contrary to popular misconceptions, you don’t need to have a predetermined body structure or be exceptionally flexible to participate in belly dancing classes. In fact, belly dancing can help improve your body confidence and embrace your unique beauty.

The learning process of belly dancing involves mastering various techniques and movements while immersing yourself in the rich cultural significance of this art form. By attending regular classes and practicing at home, you’ll gradually cultivate smooth and graceful movements.

 

To give you an idea of the benefits and emotional impact that belly dancing can have on individuals, take a look at the table below:

BENEFITSEMOTIONAL RESPONSE
Increased fitness levelsExcitement
Improved postureConfidence
Stress reliefJoy
Body awarenessEmpowerment

 

As you can see from the table above, belly dance has numerous benefits beyond just physical fitness. Now that we understand how accessible and rewarding it is to learn belly dance, let’s explore whether it’s difficult or not in our next section.

 

Is Belly Dancing Difficult?

 

Forget about all those preconceived notions and misconceptions, because let me tell you, mastering the art of belly dance is as easy as pie! Many people believe that belly dance is difficult and requires some innate talent or flexibility. However, this couldn’t be further from the truth. Belly dance is a beautiful art form that anyone can learn with dedication and practice.

One common misconception about belly dance is that it is only for young and slim women. In reality, belly dance welcomes people of all ages, body types, and fitness levels. It is a wonderful form of exercise that not only improves physical health but also provides a host of mental well-being advantages. Engaging in belly dance classes can boost self-confidence, reduce stress levels, and enhance overall happiness.

Proper attire plays a crucial role in belly dancing. Wearing comfortable clothing that allows freedom of movement is essential to fully enjoy the experience. Additionally, investing in proper footwear can prevent injuries and ensure stability during complex movements.

Belly dance also has a notable impact on body confidence. As you learn to move your body gracefully and fluidly, you will start appreciating your own unique beauty more than ever before. This newfound confidence extends beyond the studio walls into various aspects of your life.

Furthermore, there are different styles within belly dancing such as Egyptian, Turkish, or Tribal Fusion. Each style brings its own flavor and characteristics to the art form. Exploring these different styles allows dancers to find their personal style preference while expanding their knowledge and versatility.

So now that we have debunked those misconceptions about difficulty let’s discuss another exciting aspect of belly dance: how it can benefit expectant mothers by promoting relaxation during pregnancy!

 

Belly Dancing During Pregnancy

 

Are you wondering if belly dancing when pregnant is safe?

Well, the good news is that belly dance can be a safe and enjoyable exercise option for expectant mothers. Not only does it provide numerous health benefits such as improved posture and abdominal control, but it also helps strengthen the pelvic floor muscles and alleviate lower back pain. However, it’s important to follow certain precautions and guidelines to ensure a safe practice throughout your pregnancy journey.

 

Is Belly Dancing Safe During Pregnancy?

 

Belly dancing during pregnancy can be a safe and enjoyable way to strengthen muscles, promote relaxation, and improve posture. Here are some important things to consider:

  1. Health Benefits: Belly dance movements like hip rolls and circles can strengthen pelvic and abdominal muscles, relieve backache, and improve balance. It also helps maintain general fitness and promotes good posture.

  2. Risks: Pregnant women should avoid sharp movements and shimmies if they’re not used to exercising. Back bends should be avoided, and a natural pelvic tilt should be maintained to prevent strain on the body.

  3. Prenatal Exercises: Certain belly dance movements like camel and belly flutter are similar to those in prenatal exercise classes, aiding in optimal fetal position and labor.

  4. Expert Advice: It’s crucial to consult with a doctor before starting belly dance classes while pregnant. Qualified midwives who are also belly dance teachers may offer specialized classes for pregnant women.

Next, let’s explore the health benefits of belly dance during pregnancy without skipping a beat.

 

Health Benefits of Belly Dance During Pregnancy

 

While expecting, women can embrace the enchanting art of belly dance to gracefully strengthen their bodies and cultivate a deeper connection with their changing forms. Belly dance during pregnancy offers numerous health benefits that support both physical and emotional well-being. It serves as a gentle form of prenatal exercise, allowing expectant mothers to engage in safe physical activity while promoting body awareness. 

By practicing belly dance, pregnant women can improve their core strength, enhance flexibility, and increase circulation throughout the body. This ancient dance form also targets the pelvic floor muscles, helping to strengthen them for labor and delivery. Additionally, belly dance can alleviate lower back pain and maintain lower back strength during pregnancy. The rhythmic movements of belly dance promote good posture, which is essential for carrying the extra weight associated with pregnancy. 

As we move into the next section about precautions and guidelines, it’s important to ensure that you approach belly dancing with care and follow recommended steps to keep yourself and your baby safe.

 

Precautions And Guidelines

 

Now that you are aware of the numerous health benefits of belly dance during pregnancy, it is important to also be informed about the precautions and safety guidelines to ensure a safe and enjoyable dancing experience. To prevent any potential injuries, it is crucial to follow certain guidelines. First and foremost, always seek your doctor’s advice before starting any exercise program.

Additionally, warm-up exercises should be performed prior to dancing to prepare your body for movement. 

When selecting a belly dance class, make sure the instructor is qualified and experienced in teaching pregnant women. It is also recommended to avoid back bends, jumps, and sharp movements that may strain your body. Remember to listen to your body and stop if you feel unwell or experience any bleeding, dizziness, or pain.

By following these precautions and guidelines, you can safely enjoy the many benefits of belly dancing during pregnancy.

Belly Dance Classes In Retford, Nottinghamshire England
Belly Dancing Classes In Retford, Nottinghamshire England

Health Benefits Of Belly Dancing

 

Discover the amazing health benefits of belly dancing you can experience by engaging in belly dancing classes. Not only will you have a blast shaking your hips and learning beautiful dance moves, but you’ll also be improving your mental well-being, flexibility, core strength, and even managing your weight. 

Take a look at the table below to see just how belly dancing can benefit your overall health:

Health BenefitsDescription
Mental Well-BeingBelly dancing is known to boost self-confidence and mood.
Flexibility ImprovementThe fluid movements in belly dance help increase range of motion.
Core StrengtheningThe isolations and undulations engage and tone your abdominal muscles.

Engaging in belly dancing classes not only provides physical benefits but also improves mental health by boosting self-confidence and mood. The fluid movements involved in belly dance help increase flexibility by enhancing range of motion throughout the body. Additionally, the isolations and undulations used during this dance style engage and strengthen the core muscles, providing a great workout for the abdomen.

Now that you know about the incredible health benefits of belly dancing, let’s dive into how it can be an effective workout for fitness without missing a beat!

 

Belly Dance Workout For Fitness

 

Are you wondering if a belly dancing workout for fitness can help reduce belly fat, aid in weight loss, make your waist smaller, and tone and flatten your stomach? The answer is yes! Belly dancing is a fantastic workout that targets the abdominal muscles, helping to burn calories and shed unwanted fat. By incorporating belly dance into your fitness routine, you can achieve a slimmer waistline and a toned stomach while enjoying the artistry and joy of this beautiful dance form. 

So get ready to shimmy and shake your way to a fitter, more sculpted physique!

 

Does Belly Dance Reduce Belly Fat?

 

If you’re looking to trim down your midsection, belly dance classes could be the perfect solution for you. Not only does belly dance offer a fun and exciting way to get moving, but it also provides numerous benefits for both your body and mind. Here are some key points to consider:

  • Belly dance is known for its ability to help with weight loss due to the combination of cardio and strength training involved.
  • This form of dance targets the core muscles, helping to strengthen and tone your abs, obliques, and lower back.
  • By learning the art of belly dance, you can boost your body confidence as you embrace and celebrate your curves.
  • Belly dancing allows for self-expression through fluid movements and graceful gestures that promote a sense of empowerment.

So, does belly dance help you lose weight? Stay tuned as we explore this question further in the next section.

 

Does Belly Dance Help You Lose Weight?

 

Looking to shed those extra pounds? Get ready to sweat and groove your way to a slimmer waistline with the captivating power of belly dance. Belly dance is not only an enchanting art form but also a fantastic fitness activity that can help you lose weight and shape your body. The rhythmic movements involved in belly dancing provide a full-body workout, targeting core muscles, improving flexibility, and increasing stamina.

To give you an idea of the benefits of belly dance for weight loss, take a look at this table:

Benefits of Belly Dance 
Burns caloriesTones abdominal muscles
Improves postureIncreases cardiovascular endurance
Reduces stressEnhances body coordination

With its combination of cardio exercise, muscle toning, and stress reduction, belly dance offers numerous health advantages. So why wait? Start shimmying yourself to a fitter version of you! Transition into the next section about whether belly dancing makes your waist smaller without skipping a beat.

 

Does Belly Dancing Make Your Waist Smaller?

 

Get ready to witness the incredible transformation as belly dance sculpts your waistline with its mesmerizing movements. Belly dancing not only provides a fun and enjoyable way to exercise, but it can also help you achieve a smaller waist size. Here are three reasons why belly dance is beneficial for your waist:

  1. Targeted Workout: Belly dance techniques focus on isolating and strengthening the muscles in your core, including your obliques and transverse abdominis. This helps tighten and tone your waistline, giving you a more defined shape.

  2. Improved Posture: By practicing belly dance, you’ll develop better posture as you engage your core muscles throughout the movements. This will naturally pull in your stomach and create a slimmer appearance.

  3. Accentuated Curves: Belly dance attire enhances the natural curves of your body, especially around the waist area. The flowing skirts and hip scarves draw attention to this region, making it appear smaller and more shapely.

Bust those belly dance myths that claim it doesn’t make a difference! So let’s move onto the next section: Does belly dancing tone & flatten your stomach?

 

Does Belly Dancing Tone & Flatten Your Stomach?

 

Witness the amazing transformation as belly dance sculpts your waistline, but did you know that it also has the power to tone and flatten your stomach? Belly dance is not only a mesmerizing art form, but it also offers numerous benefits for your core strength. By engaging in the fluid movements and isolations of belly dance, you activate and strengthen your abdominal muscles. This helps to tighten and tone your stomach, giving you a more defined midsection.

Not only will you achieve a flatter tummy, but you will also develop greater abdominal definition. So if you’re looking for an enjoyable and effective way to work on your core, belly dance is the answer. Now let’s explore the different types of belly dance styles that can further enhance your fitness journey.

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Types Of Belly Dance Styles You Will Learn At Our Classes In Retford

 

Are you curious about the different types of belly dance styles? Well, let’s dive right in!

  • American Tribal Style Belly Dancing is known for its group improvisation and a strong sense of community.
  • Gothic Belly Dancing combines dark aesthetics with graceful movements, creating a mesmerizing performance.
  • Egyptian Belly Dancing showcases the rich cultural heritage of Egypt through expressive and intricate movements.
  • Tribal Belly Dancing blends various traditional dances to create a unique fusion style.
  • And last but not least, Turkish Belly Dancing is characterized by its energetic and lively movements, making it a joyous celebration of music and dance.

So, get ready to explore the diverse world of belly dance styles!

 

American Tribal Style Belly Dancing

If you’re looking for a unique and entertaining dining experience, look no further than restaurant belly dancing. This mesmerizing form of entertainment combines the art of belly dancing with delicious food and a vibrant atmosphere.

As you sit back and enjoy your meal, you’ll be captivated by the graceful movements of the dancers, adding an extra touch of excitement to your evening.

 

Restaurant Belly Dancing

Get ready to be mesmerized by the jaw-dropping belly dancing performance at the restaurant – it’s like entering a magical realm where every movement is a work of art! Immerse yourself in an enchanting atmosphere while enjoying delicious Middle Eastern cuisine.

This cultural dance adds an element of excitement and entertainment to your dining experience, making it perfect for social gatherings. The live performances create a vibrant ambiance that transports you to another world. Now, let’s delve into the captivating world of gothic belly dancing.

 

Gothic Belly Dancing

If you’re looking to dive into the world of belly dancing with a twist, then Gothic Tribal Fusion Belly Dance is the perfect subtopic for you. This unique style combines the elegance and fluidity of traditional belly dance with a dark and edgy gothic aesthetic. With its intricate movements, dramatic costumes, and haunting music, Gothic Tribal Fusion Belly Dance offers a mesmerizing and empowering experience like no other.

 

Gothic Tribal Fusion Belly Dance

Unleash your inner darkness with the mesmerizing moves of Gothic Tribal Fusion Belly Dance. This unique style combines elements of gothic fusion, tribal fusion costumes, gothic belly dance music, gothic belly dance moves, and gothic belly dance performances to create a captivating experience.

The haunting melodies and intricate choreography will transport you to a world of mystery and enchantment. 

 

Egyptian Belly Dancing

Are you ready to dive into the mesmerizing world of Egyptian Belly Dancing? Get ready to experience the grace, elegance, and sensuality of Raqs Sharqi, a style known for its intricate hip movements and fluid arm gestures.

And don’t forget about Raqs Baladi, a more earthy and folkloric style that will transport you to the lively streets of Egypt. Let’s explore these captivating dance forms together and unleash your inner belly dancing queen!

 

Raqs Sharqi

Raqs Sharqi, also known as ‘oriental dance,’ is a mesmerizing art form that blends graceful movements and vibrant costumes to transport you to a world of enchantment. Originating in Egypt, it has a rich history dating back centuries. Famous belly dancers like Samia Gamal and Nagwa Fouad have contributed to its popularity.

Raqs Sharqi is characterized by intricate hip movements, fluid arm gestures, and captivating shimmies. The music and costumes further enhance the sensual allure of this dance style. Moving on to ‘raqs baladi’…

 

Raqs Baladi

With its earthy movements and lively rhythms, raqs baladi transports you to the vibrant streets of Egypt. This traditional form of belly dance has a rich history and is deeply rooted in Egyptian culture. The music that accompanies raqs baladi is typically played on traditional instruments such as the tabla and the mizmar, creating an intoxicating atmosphere.

Dancers wear colorful costumes adorned with sequins and coins, adding to the visual spectacle. Raqs baladi celebrates the beauty and grace of everyday life in Egypt. 

 

Tribal Belly Dancing

Are you ready to explore the mesmerizing world of Tribal Fusion Belly Dance? This captivating and innovative style combines traditional belly dance movements with modern influences, creating a unique and dynamic fusion. Get ready to be enchanted by the fluidity of movement, intricate isolations, and powerful expressions that define this mesmerizing dance form.

With its diverse range of influences from different cultures, Tribal Fusion Belly Dance offers endless possibilities for self-expression and creativity. So get your hips moving and let the magic unfold!

 

Tribal Fusion Belly Dance

Immerse yourself in the mesmerizing world of Tribal Fusion Belly Dance and let your body become a powerful instrument of self-expression. This captivating dance style combines elements of tribal and gothic fusion, creating a unique and edgy experience.

Not only does it offer incredible health benefits, such as improved posture and flexibility, but it also celebrates diversity within belly dance styles. Did you know that even male belly dancers can embrace this art form? 

 

Turkish Belly Dancing

If you’re looking for a captivating and energetic form of belly dance, then Turkish Gypsy Belly Dance is the perfect choice. This style of belly dance originated from the Roma communities in Turkey and is known for its fast-paced movements, intricate footwork, and expressive gestures.

With its vibrant music and dynamic choreography, Turkish Gypsy Belly Dance will transport you to a world filled with passion and excitement. So get ready to shimmy, shake, and let loose as you explore the enchanting realm of Turkish Gypsy Belly Dance!

 

Turkish Gypsy Belly Dance

Enroll in our Turkish Gypsy Belly Dance class and discover how this mesmerizing dance style originated from the Romani people, who make up approximately 4% of Turkey’s population. Experience the vibrant energy of Turkish Gypsy Belly Dance as you learn traditional techniques passed down through generations.

Marvel at the intricate Turkish belly dance costumes adorned with colorful fabrics and intricate embroidery. Move to the captivating rhythms of Turkish belly dance music, deeply rooted in centuries-old traditions. Immerse yourself in the rich history of this captivating art form before diving into the world of cabaret belly dancing.

 

Cabaret Belly Dancing

To truly experience the essence of cabaret belly dancing, you’ll need to embrace its intricate choreography and sultry movements. Cabaret belly dancing emerged in the early 20th century as a fusion of traditional Middle Eastern dance with Western influences. It quickly became popular in nightclubs and theaters, captivating audiences with its vibrant energy and sensual flair.

Famous cabaret belly dancers like Samia Gamal and Fifi Abdou mesmerized crowds with their graceful yet provocative performances. The costumes worn during cabaret belly dancing are dazzling, often featuring sequins, feathers, and flowing fabrics that accentuate every movement. The music is equally enchanting, blending traditional Arabic melodies with modern beats to create an irresistible rhythm that entices both the dancers and the audience.

Now let’s explore another captivating style of belly dancing – Indian belly dancing, which infuses movement with rich cultural traditions.

 

Indian Belly Dancing

Immerse yourself in the mesmerizing movements and melodic music of Indian belly dancing, where vibrant cultural traditions come alive through graceful gyrations. Indian belly dancing, also known as Odissi or classical Indian dance, holds deep cultural significance in India.

It has a rich history that dates back thousands of years and is rooted in religious rituals and storytelling. The intricate footwork, fluid body movements, and expressive hand gestures make this dance form truly captivating to watch.

When it comes to costumes, Indian belly dancers adorn themselves with colorful sarees or lehengas embellished with intricate designs and traditional jewelry like ankle bells and headpieces. These costumes not only enhance the visual appeal but also add to the overall grace of the performance.

Several famous Indian belly dancers have gained international recognition for their exceptional talent and dedication to this art form. From Meera Das to Madhavi Mudgal, these performers have showcased the beauty of Indian belly dancing on global stages.

 

Lebanese Belly Dancing

Lebanese belly dancing, also known as raqs sharqi, is a mesmerizing dance style that blends grace and passion with intricate hip movements and expressive gestures. It holds immense cultural significance in Lebanon, where it is considered an integral part of their heritage. When you attend Lebanese belly dancing classes, you will not only learn the dance moves but also gain a deeper understanding of the rich traditions behind it.

Traditional costumes play a crucial role in Lebanese belly dancing, with vibrant colors and ornate details adding to the allure of the performance. Some famous Lebanese belly dancers who have made significant contributions to this art form include Samia Gamal and Nadia Gamal. The music accompanying Lebanese belly dances is enchanting, featuring lively rhythms and melodies that transport you to another world.

If you want to experience the magic firsthand, don’t miss out on attending Lebanese belly dance festivals where talented performers showcase their skills. As we transition into the next section about fantasy belly dancing, get ready for an exploration of another captivating dimension within this beautiful art form…

 

Fantasy Belly Dancing

Get ready to be transported to a realm of enchantment and wonder as you delve into the captivating world of fantasy belly dancing. In this mesmerizing dance form, dancers become ethereal beings floating on air, their movements resembling the fluttering wings of mythical creatures.

One popular style within fantasy belly dancing is gothic tribal fusion belly dance, which combines elements of gothic aesthetics with traditional belly dance techniques. The result is a dark and mysterious performance that evokes a sense of intrigue and fascination. Imagine dining at a restaurant while being entertained by these graceful dancers who effortlessly command attention with their hypnotic moves.

With its unique blend of fantasy and elegance, fantasy belly dancing offers an intimate experience like no other.

Find Belly Dancing Classes, Lessons, Courses, Workshops, Teachers & Instructors In These Other Locations Near Retford, Nottinghamshire England

More FAQ’s About Belly Dance Lessons In Retford

 

 

What Is a Belly Dance Troupe?

 

Joining a belly dance troupe allows you to become part of a vibrant and mesmerizing group that moves together in perfect harmony, captivating the audience with their graceful and hypnotic movements. A belly dance troupe is a tight-knit community of dancers who share a passion for this ancient art form.

They come together to rehearse, perform, and support each other’s growth as dancers. In a belly dance troupe, you will have the opportunity to showcase your skills in stunning belly dance costumes during performances at various events and venues. 

The camaraderie within the troupe creates a supportive environment where you can learn from experienced dancers and improve your technique. You may even have the chance to participate in exciting belly dance competitions, where you can test your skills against other talented dancers.

So, if you want to be part of an amazing community that celebrates this beautiful art form, joining a belly dance troupe is the perfect choice.

 

Are There Belly Dance Events In Retford?

 

Immerse yourself in the world of belly dancing by attending captivating and enchanting cultural events that showcase the mesmerizing art form. Belly dance festivals, competitions, workshops, performances, and retreats provide unique opportunities to witness the beauty and grace of this ancient dance style. At belly dance festivals, you can experience a vibrant atmosphere filled with music, costumes, and talented dancers from around the world. 

Competitions allow you to witness the incredible skill and creativity of belly dancers as they showcase their talents on stage.

Workshops provide a chance to learn from renowned instructors and enhance your own skills. And at performances and retreats, you can be transported into a magical realm where every movement tells a story. These events celebrate the rich traditions of belly dance while fostering a sense of community among enthusiasts. 

 

Is Belly Dancing Cultural Appropriation?

 

Discover the fascinating debate surrounding whether or not belly dancing can be considered cultural appropriation and gain a deeper understanding of this complex issue.

  • The history debate: One argument in this ongoing discussion is centered around the origins of belly dancing. Some argue that it originated in ancient Egypt, while others claim it has roots in Middle Eastern and North African cultures. Understanding the historical context can shed light on the cultural significance of this dance form.

  • Cultural appreciation vs. appropriation: Supporters of belly dancing argue that it should be seen as a form of cultural appreciation, where individuals can embrace and celebrate different cultures through dance. However, critics argue that when performed by individuals from outside these cultures without proper understanding or respect, it becomes an act of cultural appropriation.

By delving into the history and examining both sides of the cultural appropriation debate, we can better understand why this topic sparks such passionate discussions. 

 

Is Belly Dancing Haram?

 

Engaging in the provocative art of belly dancing can be seen as a sinful act by some religious individuals due to its sensual nature and perceived violation of modesty standards.

However, it is important to note that the perception of belly dance as haram, or forbidden, varies among different interpretations of religious teachings.

While some may argue that the movements and costumes associated with belly dancing contradict their religious beliefs, others view it as a form of cultural expression that celebrates femininity and body positivity.

Belly dance has deep cultural significance and has been practiced for centuries in various regions around the world. It is a way for women to connect with their bodies and express themselves artistically. Furthermore, belly dancing offers numerous health benefits such as improved flexibility, muscle tone, and cardiovascular endurance.

Misconceptions about belly dancing often arise from limited understanding or stereotypes perpetuated by popular media. It is essential to approach this art form with an open mind and respect for its rich history.

 

Are There Male Belly Dancers?

 

Although it may be less common, there are indeed Turkish male belly dancers who bring their own unique style and energy to the art form.

Male belly dancers contribute to the gender diversity within this ancient dance practice, highlighting its cultural significance and promoting body positivity and inclusivity.

Here are some key reasons why male belly dancers are an important part of the belly dancing community:

  • They challenge stereotypes: Male belly dancers defy traditional gender norms and break down societal expectations by embracing a dance form that was historically perceived as feminine.
  • They offer a different perspective: With their masculine energy and physicality, male belly dancers bring a fresh interpretation to the movements, adding depth and variety to the performances.
  • They celebrate inclusivity: By participating in belly dancing, regardless of their gender identity, male dancers promote an inclusive environment where everyone can express themselves freely without judgment.
  • They inspire others: Their presence encourages individuals from all walks of life to explore their passion for dance, fostering a supportive community that welcomes people of diverse backgrounds.

With such vibrant contributions from male belly dancers, it’s no wonder that more people are becoming interested in taking belly dancing classes online. These virtual platforms allow enthusiasts to learn from experienced instructors in the comfort of their own homes.

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Belly Dancing Classes Online

 

If you’re looking to learn this captivating dance form, you’ll be intrigued to know that online platforms have seen a staggering 300% increase in the number of people enrolling in virtual belly dancing lessons. With the rise of remote learning and video tutorials, online classes have become a convenient and accessible way for aspiring dancers to immerse themselves in the art of belly dancing.

Online classes offer a plethora of benefits.

First, they provide flexibility in terms of scheduling. You can choose when and where you want to participate, allowing you to fit your lessons around your busy lifestyle. Additionally, virtual instruction allows you to learn at your own pace. Whether you’re a beginner or an experienced dancer, there are workshops tailored to suit your skill level.

The beauty of online belly dance workshops is that they bring the expertise of professional instructors right into your living room. Through high-quality video tutorials, you will receive step-by-step guidance on posture, technique, and choreography. The intimate setting allows for personalized feedback and attention from instructors who are passionate about sharing their knowledge.

So why wait?

Join the growing community of people who learn belly dancing at home for beginners who are embracing online learning as a means to enhance their skills and passion for this ancient dance form. Enroll in an online workshop today and experience the joy and empowerment that comes with mastering the art of belly dancing from the comfort of your own home.

More About Retford, Nottinghamshire England

Retford , also known as East Retford, is a market town in the Bassetlaw District in Nottinghamshire, England, and one of the oldest English market towns having been granted its first charter in 1105. It lies on the River Idle and the Chesterfield Canal passes through its centre. Retford is 26 miles (42 km) east of Sheffield, 23 miles (37 km) west of Lincoln and 31 miles (50 km) north-east of Nottingham. The population at the 2021 census was 23,740.

In 1878 an Act of Parliament extended the borough of East Retford to include the village of Ordsall, West Retford and part of the parish of Clarborough. The town is represented on Bassetlaw District Council by ten district councillors, and on Nottinghamshire County Council by two county councillors.

In addition to being an ancient market town and infamous Rotten Borough, Retford is known as being at the centre of Nonconformism, with the origins of the Pilgrims, Baptists and Wesleys being in this area.

The origins of the town’s name are unknown and have been subject to much debate, but consensus seems to conclude that it gets its name from an ancient ford crossing the River Idle. There is considerable variation in how its name has been spelt historically, although in early usage it is usually styled as Redeforde or Redforde. A common explanation of the name is that the river water was tinged red due to the frequent crossing of people and livestock disturbing the clay river bed. Other traditions include that it refers to the reeds that are plentiful in the river, or that the name references the Battle of the River Idle which was said to tinge the Idle red with blood.

Wilmshurst proposes another theory as to the origin of the name:

The historical importance of the town as a river crossing is underlined by the fact that one of the main streets is named ‘Bridgegate’.

The official name of the town is still East Retford, although this refers only to the historically larger of the two settlements on either side of the Idle. The inhabitants of the town and the people in the surrounding area traditionally refer to the town simply as ‘Retford’.

The first land settled was on the western side of the ford, this area being less liable to flooding. However, as the community grew it spread to occupy land on the other bank of the river, and it was this eastern part of the town that eventually became more important; hence Retford’s alternative (and, for administrative purposes, still official) name of East Retford. The centre of Retford is characterised by a large Market Square surrounded by Georgian period architecture. The Retford Conservation Area contains the historic cores of both West and East Retford, which sit either side of the River Idle. The Conservation Area also extends southwards up to and including the 18th century Chesterfield Canal. The town also includes the small villages and hamlets that are adjacent to it, which have effectively become suburbs of the town. These include Ordsall and Babworth.

Evidence of early human activity around Retford stretches back to the Mesolithic period, with archaeological evidence of human activity in the area including a Mesolithic flint tool found in Ordsall, an axe from the Neolithic era (New Stone Age) from Little Morton and a Neolithic polished flint axe discovered near the River Idle at Tiln. A Bronze Age spearhead was found near Whinney Moor Lane and Romano-British crop marks are visible around Babworth.

The area Retford is situated in was on the border of the territories of the Brigantes and the Corieltauvi during the Iron Age period. It is likely that the existence of Retford is partly owed to its water resources, in the form of both the river Idle (and its crossing) and the wells that are dotted around the area that are either still in existence or can be identified from placename evidence. These include Spa Common, Cobwell Road (named after the Cob Well) and the ancient well at Welham (called ‘Wellun’ in the Domesday Book).

Between Retford and Grove there are a range of earthworks of unknown date. They may be pre-historic and/or Roman. There is evidence of a medieval moated site or possible motte & bailey construction. This site was later reinforced during the English Civil War. The wood here is known as Castle Hill Wood.

Roman-era artefacts are rare in Retford, although 1st–2nd century items were found at a site on Carolgate in 1922. The remains of a group of 1st–3rd century buildings were found at Babworth in 1981. A coin hoard was found at Little Morton that was dated to the 3rd century, and Roman artefacts and pottery fragments have been found at Tiln (Stroud, 2001). Evidence of Roman field patterns were identified by Derrick Riley of Sheffield University in the 1970s and 80s. Nottingham University archaeological researchers have said that during the 5th century and even into the 6th century, North Nottinghamshire was likely populated by “British communities with a sub-Romano-British culture”.

Retford has traditionally been placed within the Anglo-Saxon kingdom of Mercia because it is situated within Nottinghamshire. More recent historical research suggests that the South of Nottinghamshire and North Nottinghamshire may have had very different cultures. North Nottinghamshire, including Retford, belonged to an area called Bernet-seatte, which later became Bernesedelaue and then Bassetlaw. This territory is now thought to have been “substantially British”. It practised, for example, partible inheritance, had British placenames and there is relatively little Anglo-Saxon material. West and East Markham seem to have been on the boundaries of this territory (maerc means boundary). It is not known if Bernet-seatte extended across the whole of North Nottinghamshire, or whether the Kingdom of Lindsey controlled the East of this area (Retford and Retford rural district). What is known is that this corridor of land was seen as strategic, which is why several notable battles were fought in the area between the kings of Northumbria and Mercia.

The strategic Battle of the River Idle (617) was fought in or near Retford. The Battle of the River Idle was significant in establishing Rædwald’s power, such that Bede called him “Rex Anglorum” (King of the Angles). Various battlesites have been suggested including at Retford, Eaton and Bawtry. No evidence of a battlefield has been found in any of these sites, although according to Hunt this led to a saying: “The River Idle was foul with the blood of Englishmen”. A variant local tradition says this was the origin of the name “Redforde”.

Placename evidence in Retford does suggest Viking settlement. Many of the streets in the centre of town are -gates, deriving from the Old Norse gata, which means street. In Retford there are streets named Moorgate, Bridgegate, Chapelgate, Churchgate and Carolgate. Grove Street was previously known as Newgate and Lidgett Lane was originally Hildgeat or Hildgate. The Reverend WP McFarren (1947) wrote that Bridgegate was previously spelt Briggate (1340) suggesting the river had a bridge from a very early date. Moorgate contains both Anglo-Saxon (AS) and Old Norse (ON) elements, deriving from AS mor and ON gate. Its literal meaning is ‘miry street’. This is a reference to the beck that used to cross it. (This beck was progressively contained within a culvert and is no longer visible for most of its course into the Idle.) Carolgate is derived from the ON karla (karl) + ON gate. A karl was a freeman. WP McFarren (1947) also mentions a ‘Kynegesgate’ (Kingsgate), which is now lost. Piercy mentions Carhillgate (p. 146).

Timber piles were found in Retford in 1995 on the Western bank of the Idle at Bridgegate, which were dated to 947-1030 AD.

In the Domesday Book Retford was recorded as Redforde, and joined to Odesthorpe (now unknown). It appears to have been the property or fee of Roger de Busli, who was granted large amounts of land in what had been Anglo-Saxon Mercia. In 1105, East Retford was established as a royal borough by Henry I. This would have made it the second most important settlement after Nottingham itself in the county. According to Marcombe (1993), the intention was for East Retford “to compete with the trading privileges of Blyth Priory and to exploit the market opportunities of north Nottinghamshire”. In 1225, the burgesses of Retford are said to have taken over the collection of ‘river tolls’ from Blyth Priory.

Retford was granted a total of 17 Royal Charters (including the Letters Patent of 1225 that granted it the right to levy tolls on travellers in North Nottinghamshire) up to 1607. There is some controversy over when it was granted its first charter with Piercy (1828) suggesting it was granted in 1246 by King Henry III, which allowed an 8-day annual fair to be held. However, Ballard & Tait (1923) and Dolby (1997) say that there is no existing historical evidence to support this, making the 1259 charter the earliest known to be granted. The 1313 charter has survived and is now held in the Bassetlaw Museum.

The first town hall or ‘moot hall’ was built in 1388 and demolished in 1754. It is believed that this may have been situated in what is now known as Cannon Square. The hall was built of timber and faced east. On the ground floor of this building was the Shambles. At that time, the present Market Square was possibly used for cattle/horses, with Marcombe suggesting this was the site of the ‘beast market’ in the Tudor period.

16th century

The 16th century began was an unlucky period for Retford. At this time, the majority of buildings were of timber and thatch construction. However, most of these were destroyed by fires. In 1528 a fire destroyed more than three-quarters of the buildings in East Retford. By 1552 Retford’s population had dropped to 700. In 1558 there was an outbreak of plague, which caused 300 deaths in East Retford and killed half the people of West Retford. A fire in 1585 was so profound that the people of Worksop raised money for ‘the poor men of the late burned town of Retford’. Yet another fire struck in 1631 and caused £1,300 worth of damage.

17th century

The Civil War seems to have largely bypassed Retford, although W.E. Doubleday wrote in the Nottinghamshire Guardian (1947) that “During the Civil War a Roundhead force from Retford attempted to capture the mansion occupied by the Royalist Gervase Lee, but the attack was beaten off and the besiegers compelled to retreat as a party of Cavalier troops from Newark approached rapidly”. Charles I was also said to have stayed in the house of Mr Lane, a lawyer, on 20 August 1645. He was on his way from Doncaster and set off the following day to Lord Danecourt’s in Newark.(Wilmshurst 1908)

In 1657 there was a Great Storm, which destroyed the steeple and Chantries of St Swithun’s Church. This was restored in 1658 at a cost of £3,648.

18th century

Retford was more troubled during the Jacobite rising of 1745. Cornelius Brown records that in 1745 an army of 6,000 English and Hessian troops camped on Wheatley Hills and the soldiers marched through Retford and used East Retford (St Swithun’s) church as a stable. This was The Derbyshire Blues, which had been formed to protect Derby under the aegis of the Duke of Devonshire, but which retreated 50 miles to Retford when reports reached Derby that the Jacobites had a 9,000 strong army.

On 23 August 1750, an earthquake struck Retford.

In 1757 the Town Clerk successfully petitioned for the Great North Road to be diverted to run through the town, which led to an Act of Parliament (1760) authorising the re-routing of the Great North Road between Barnby Moor and Markham Moor to pass through Retford. The new turnpike was completed in 1765–66 and after this the town prospered. (Piercy 1828) Then in 1777 the Chesterfield Canal was built by James Brindley through the town.

During the 18th century improvements were made to West Retford Bridge – the main bridge over the Idle which is where the original ford was situated. Moss says that the first stone bridge was erected in 1659 and that it was thirteen feet wide and had five arches. Wilmshurst records that in 1752 the bridge was “widened for carts” and was replanked, suggesting that at least part of the construction was still wooden. In 1794 it was rebuilt on stone arches, according to Wilmshurst, with Moss adding that it was thirty-one feet wide at this time. Moss notes that before 1776 a toll was charged to cross the river and that to the north side were the corn mills mentioned in the Domesday Book that were once owned by Hubert de Burgh. The 1794 bridge was later to be replaced in 1886 with the current bridge, which Wilmshurst says was because of floods: “In consequence of these continuous Floods the Corporation demolished the great Mill, and the narrow 5-arched Bridge, and erected present wide girder Bridge in West Retford”. Moss (1908) says this bridge (which he dates as 1868) cost £1,500 to construct.

Moss (1908) tells us that in 1760 Retford’s ducking stool was used for the last time. He says it was situated at the end of a narrow street opposite the Post Office that led down the River Idle. The use of the ducking stool was granted in 1279 by Edward I and was used for the last time to punish a “Scotswoman of violent temperament” called “Dame Barr”, who was ducked for offending John White by “throwing the contents of her snuff-box in his face, and uttering opprobrious terms”.

19th century

In 1801 there were 5,999 people, which rose to 12,340 by 1901. Many improvements were made including the direct London to York railway being routed via the borough in 1849.

In 1831, the Gas Works was built by James Malam and gaslights were lit in the town for the first time on 22 December 1831. The Square was lit by a cast iron light bearing five gas lamps at that time. The Gas Works became a target on 2 September 1916 when a German Zeppelin dropped 14 bombs on Retford. The Retford Times (8 September 1916) noted that bombs were dropped from Zeppelin L-13 into the orchard that surrounded the Gas Works, and although there wasn’t a direct hit, shrapnel hit the sides of the gasometers setting them on fire. This fire was said to be so intense that according to the Retford Times “apples baked on the trees, and roosting wild birds roasted alive”. The Nottingham Daily Express (8 September 1916) reported that the Zeppelin then departed “at great altitude and terrific speed”. The manager and his family were said to have had a very lucky escape as the shrapnel also hit their house. John Hook records that the Zeppelin left Retford at 1.05am, dropping a further bomb just south of Lea. One of the replacement gasometers later exploded on 16 March 1955, injuring 7 men and killing the manager. According to reports in The Retford Times, flames shot 200 feet into the air. The gasometers were finally dismantled when the town was connected to North Sea gas in the 1970s.

In 1878 an Act of Parliament added the parishes of West Retford and Ordsall, and part of the parish of Clarborough to East Retford.

20th century

Weeks before the outbreak of World War I, the Retford Times reported that “the town really turned on the charm” when King George V visited Retford in 1914. This is said to have included a large pavilion in the market square that was decorated with flowers, three different renderings of the National Anthem plus dancing and fireworks.

One of the main changes in Retford during the 20th century was the opening of King’s Park in 1938. The park commemorated the reign of George V and the coronation of George VI. The site was presented to the Borough by Mrs M J Huntsman of West Retford Hall, with £2000 towards the cost of the park layout raised by public subscription.

According to war records, Retford was bombed six times during World War II – on 26 September 1940, 30 October 1940, 16 December 1940, 15 March 1941 (2 injuries), 15 August 1941 and 25 August 1941. Although it was on the bombing route to higher value targets such as Sheffield and Rotherham, was surrounded by airforce bases, and had the intersection between two railway lines, no-one was killed in the raids and the town escaped the war virtually unscathed.

The Great North Road was diverted around the town in 1961 and part of the route through the town is now pedestrianised. The 1971 census showed the population to be 18,407. By 2001 the population had grown to 22,000 (Nicholson, 2008), with a large proportion living on housing estates in Ordsall, Hallcroft and Spital Hill.

Retford is one of the oldest boroughs in England and was mentioned in the Domesday Book of 1086 as ‘Redeforde’. Henry I established the borough in 1105, and it gained a Royal Charter in 1246, when Henry III granted the right to a fair. This was later extended to holding a Saturday Market by Edward I in 1275. The granting of Royal Charters was important because it enabled Retford to self-govern and become independent of interference from the Sheriff of Nottingham. A total of 17 charters (including the Letters Patent of 1225) are believed to have been granted to East Retford up to 1607.

Retford’s civic traditions are maintained by Charter Trustees and its coat of arms consists of two rampant choughs, which were taken from an old seal of the Borough. The crest is based on the design on a Mace presented to the Borough in 1679 by Sir Edward Neville, with few changes. A small shield replaces the original rose, upon which the lion rests its paw. The shield features a deed which references the Boroughs ancient Royal Charters. The unicorns are from the heraldry of Lord Galway, whose ancestors were High Stewards of the Borough. The shells are from the arms of Rt Hon FJ Savile Foljambe, appointed High Steward 1880.

Since 1974, Retford has been part of the district of Bassetlaw which was formed by the merger of the boroughs of Worksop and East Retford, as well as most of Worksop Rural District and East Retford Rural District. Bassetlaw is named after the historic Anglo-Saxon Bassetlaw Wapentake of Nottinghamshire.

From 1316 Retford was entitled to two sitting MPs. Although by 1330 it was begging to be excused the privilege on the grounds of poverty, inability to afford the cost of paying the heavy expenses of the MPs’ long journeys to and from the capital. The petition was granted and it was to be several generations (1571) before Retford was represented in the Lower Chamber again.

Historically, Retford was notorious as one of the most corrupt boroughs – a so-called ‘rotten’ borough – in England and was considered to be in the gift of the Duke of Newcastle. There were vigorous debates in Parliament over whether to transfer Retford’s franchise to one of the larger unrepresented towns such as Manchester or Birmingham. Hansard records that during the House of Lords debates on the Disfranchisement Bill, the town had an active committee, led by a couple of attorneys and meeting at the Turk’s Head Inn, who were trying to make the borough seem even more corrupt than it was to ensure its extinction. One of the committee members was later seen wearing a gold watch, apparently presented in gratitude by well-wishers in Birmingham. Viscount Howick objected to the disenfranchisement of Retford not on the basis that the accusations of corruption were not true, but that it punished the innocent as well as the guilty and ignored the fact that many boroughs were equally corrupt.

The 1830 Act extended the borough’s boundaries to encompass the Wapentake of Bassetlaw (which included the whole of the northern end of Nottinghamshire, including the town of Worksop). All those within this area who were qualified to vote in the county elections were given votes for East Retford. Within a year, Parliament was debating the Great Reform Bill, but the extended boundaries meant Retford could retain its seats until in 1885 the Municipal Borough of East Retford was reformed and the constituency replaced by an identically delineated single-member county constituency – Bassetlaw. Retford and its rural district was removed from Bassetlaw in 1983 and transferred to the redrawn Newark constituency. The boundaries were redrawn again in 2010, with Retford returning to the Bassetlaw parliamentary constituency (although some of the Retford rural district remains in the Newark constituency such as Markham Moor).

The Bassetlaw constituency was held by Labour from 1929 until 2019 when the sitting Labour MP (John Mann) stood down. The current MP is Conservative Brendan Clarke-Smith who won the seat with the biggest swing from one party to another in the entire country in the General Election 2019.

For administrative purposes Retford is regarded as being within the East Midlands region, though it has strong cultural and economic links to South Yorkshire.

Retford has twinning associations with:

Dorothy May Meads was born here in 1891 when her family name was Gladish. She took a masters degree in History and wrote The Tudor Privy Council in 1915. She became the principal of Bishop Otter College which became the University of Chichester.

John Shadrach Piercy was born in Rillington, near Malton, North Yorkshire, and moved to Retford in 1822 to teach at the National School (a school that traditionally had strong links with St Swithun’s church) on Grove Street. While living in Retford, Piercy wrote ‘The History of Retford in the County of Nottingham (1828)’. This is an important work because it contains references to material that has subsequently been lost. Jones & Co Solicitors hold the Piercy Manuscript.

Robert Thoroton was a physician and country gentleman who published a history of Nottinghamshire in 1667 entitled ‘The Antiquities of Nottinghamshire’. In 1796 a new edition was published by John Throsby (1740–1803), who added an additional volume. Retford is mentioned in Volume 3. pp. 274–280.

B.J. Biggs was the principal lecturer in history at Eaton Hall College and a keen local historian. He wrote a number of histories of Retford including ‘Looking at Old Retford’, Published by Eaton Hall College (1968), with drawings by CT Boothby; ‘Living in Old Retford’, Published by Eaton Hall College (1973); ‘The Lost Windmills of Retford’, Published by Eaton Hall College (1978).

Other histories include:

Retford lies in a shallow, fertile river valley which has a wide flood plain on either side of the River Idle. This makes the low-lying land next to the river prone to flooding. The underlying geology is Primo-Triassic rocks which lie over coal measures. This district therefore forms part of the Nottinghamshire-Yorkshire Coalfield. To the West are Pebble Beds and Sandstone outcrops. To the east are heavy claylands of Keuper Marl.

Retford lies 18m above sea level and the climate is mild, and generally warm and temperate. The climate is classified as Cfb by the Köppen Climate Classification (temperate oceanic climate). The average annual temperature in Retford is 10.1°C or 50.1°F. Average rainfall is 685 mm or 27.0 inches. The nearest official Met Office weather station for which online records are available is an automatic station at Gringley on the Hill, about eight miles north of Retford. (Location: 53.406, -0.883)

Retford lies in the Idle River Valley and low-lying areas are prone to flooding. Flooding is confined to the well-defined and wide flood plain of the Idle, and areas above the flood plain or on sandstone (to the west) do not flood. To the north and east the land is clay and the area was historically marshy (see Isle of Axholm), but was drained by Dutch engineers under Cornelius Vermuyden in the 17th century.

Hardmoors, which is adjacent to the Idle at Ordsall, was so called because it floods and freezes in winter. According to the Environment Agency, which has a gauge on the Idle at Ordsall (location ID 4164) for 90% of the time since monitoring began the Idle has had a depth of between 0.19m and 0.85m. In 2020 the range was 0.22m to 0.86m. The highest level ever recorded since the gauge was put in place was 1.65m, reached on 27 June 2007 at 10:30am, which was at the apex of the 2007 floods.

In 1947, an article in The Retford Times by Rev. W.P. McFarren notes that Moorgate (one of the principal streets) derives from the Anglo-Saxon ‘mor’ meaning a marsh. The author notes that across Moorgate there runs a brook commonly called ‘The Beck’, which floods annually. He comments that “The soil here is largely clay, and Moorgate was well called the ‘morgata’ – the miry street”.

Many floods are recorded in the historical record including:

The area in and around Retford has a varied geology and habitat. There are 30 known Ancient woodlands of more than 2 hectares in Bassetlaw, and the town is surrounded by a rich and diverse ecosystem including rare and endangered animals and birds.

The Idle Valley Nature Reserve, which is managed by Nottinghamshire Wildlife Trust (NWT) is the largest of the trust’s reserves in Nottinghamshire. The eastern boundary is created by the natural path of the River Idle; redundant gravel quarries to the west of the river have created wetland areas which comprise the majority of the site. The reserve contains many different habitats over 450 hectares, with 300 hectares being designated with SSSI status. It is the largest wetland area in Nottinghamshire and over 250 species of birds have been recorded there making it one of the top birding sites in the UK. The reserve is known for spectacular starling murmations. NWT has a program of activities and events for the benefit of schools, community groups and individuals and is becoming increasingly popular with established walking groups in the area and also neighbouring counties.

The River Idle is a critical habitat for eels – with an eel pass being installed in 2018 to help silver eels get upstream. 9 species of bats have been recorded in and around the town including Daubenton’s bat, whiskered bat, Brandt’s bat, Natterer’s bat, common noctule, Leisler’s bat, common pipistrelle, soprano pipistrelle and brown long-eared bat. And a range of mammals and amphibians can be seen such as hedgehog, frog, rabbit, brown hare, grey squirrel, toad, newts, mole, badger and red fox.

In 2021, Nottinghamshire Wildlife Trust revealed that it had consulted on the re-introduction of beavers to the Idle valley and planned to release 4 beavers (2 pairs) into the 55 hectare Idle Valley Nature Reserve in the summer of 2021. The trust stated that it planned to create one of the largest beaver enclosures in England, with space for up to three beaver families. Eight beavers – four adults and four kits – were released into a specially built enclosure in November 2021, the largest release of beavers in the UK to date.

Bassetlaw has 19 Sites of Special Scientific Interest that cover broadleaved woodland, wetlands and grasslands comprising 1361 hectares. The area also has 290 Local Wildlife Sites. SSI’s around Retford, including the reason for their importance:

In The History of Parliament: the House of Commons 1820-1832 Retford was described as “a thriving and genteel market town in the hundred of Bassetlaw, on the border with Yorkshire, boasted hat and sailcloth manufacturing, but had been superseded by Worksop in the barley trade”.

Nikolaus Pevsner, architectural historian, writing in 1951, was fairly scathing about Retford and its lack of distinguished buildings. “A singularly unattractive town,” he wrote.

However, William White in his Directory of Nottinghamshire (1853) is more complimentary about Retford: “The approach to the town, from every side, is by a beautiful and gradual descent, and its open and spacious Market-place, surrounded by good regular buildings, and having several commodious streets of neat houses branching from it gives the whole an air of importance, comfort, and wealth, possessed but by few country towns of the same size.”

Retford and its environs were thought to be sufficiently attractive for the Great Northern Railway Company to organise trips based in Retford (1908). Visitors stayed at the White Hart Hotel, with a fare inclusive of the railway journey, the drive (by four in-hand, landau, citoria or dogcart), and a couple of meals. C Moss, author of the 1908 handbook, notes: “Attention, almost at the very outset of the journey, is directed to the beauties of the drive. By a gentle incline we pass into the fair demesne of Babworth. At the foot of the declivity, Babworth Hall, the church, the rectory and the lake, wherein shrub and tree are shadowed, naturally catch the eye.”

In 1896, Cornelius Brown wrote that Retford was “discernible from the [Great Northern Railway] line as a mass of red-brick houses and smoking chimneys, with the tower of an old parish church rising in their midst’. C Moss wrote: “Not only does the proximity of Retford to the Dukeries make the town attractive to visitors, but it is also sought after as a place of residence…One of the charms of Retford is undoubtedly its antiquity.”

Bill Bryson, the American author and former president of the Campaign to Protect Rural England, praised the town. In his bestselling book Notes from a Small Island, he writes, ‘Retford, I am pleased to report, is a delightful and charming place even under the sort of oppressive grey clouds that make far more celebrated towns seem dreary and tired. Its centrepiece is an exceptionally large and handsome market square lined with a picturesque jumble of noble Georgian buildings. Beside the main church stood a weighty black cannon with a plaque saying ‘Captured at Sevastopol 1855′, which I thought was a remarkable piece of initiative on the part of the locals – it’s not every day, after all, that you find a Nottinghamshire market town storming a Crimean redoubt and bringing home booty – and the shops seemed prosperous and well ordered.’

The Square is in the centre of Retford and features an ornate French-inspired Victorian Town Hall (Grade II listed), in front of which is the Grade II listed Broad Stone.

Legend says that the Broad Stone had a hollow in it that used to be filled with vinegar during plague times to disinfect coins. However, it is thought to be the upturned base of a boundary marker – perhaps the “Dominie Cross“.

A 1908 guidebook to the town says the following:

Stapleton suggested in his study of Nottinghamshire crosses that the crosses mentioned in the 1908 guide were market crosses.

The Grade II* listed war memorial is in the form of an Eleanor Cross, an octagonal structure of late Gothic design. It was unveiled by Sir Frederick Milner, the town’s former MP, in 1921. The memorial features an eternal flame, with the names of the men killed in World War I on the lower eight panels, with bronze plaques containing the names of those killed in World War II. The monument was designed by architect Leonard W. Barnard FRIBA of Cheltenham, and built of Stancliffe stone from Darley Dale, Derbyshire by RL Boulton & Sons. A plaque for the Korean War was unveiled and dedicated on 17 August 2008.

In addition to the main memorial in The Square, there are other war memorials in the town. For example, the Sevastopol Cannon in neighbouring Cannon Square is a memorial to those killed in the Crimean War. A window in the south aisle of St Swithun’s church (by Charles Eamer Kempe) was erected in memory of the Sherwood Rangers who fell in the Second Boer War, being unveiled in December 1903. The tablet below contains the following inscription: “To the glory of God, and to the Memory of those of the Sherwood Rangers Imperial Yeomanry who died for their Sovereign and Country in South Africa, 1900-1902” and after the names: “This Window was dedicated by their friends”. In St Swithun’s is also a set of oak boards, naming the 205 fallen members of the Parish from the First World War.

In St Saviour’s Church there is a memorial to the 65 men of the parish killed in the First World War. In the churchyard of All Hallows Church in Ordsall is a carved granite cross based on St Columb’s Cross in Cornwall. The inscription is in lead letters and reads: “1914-1918/ 1939-1945/ In Proud Remembrance Of Those Who Did Not Return.” No names are given. This is a replacement (1951) for an earlier wooden cross, and is Grade II listed. There is also a memorial window in All Hallows’ church. Fives Court is a Grade II listed monument of the Rugby Fives type, but without the usual back wall, and was built at the former King Edward VI school site by the mother of William Eyre, a former pupil who died in the First World War. The plaque reads: “In Memory Of Capt. William Eyre; Who Died Of Wounds; August 19th 1916; Their Name Liveth Forever More.” Bassetlaw Council notes that the year of death is incorrect (it should read 1915).

Retford has had two known moot halls, and two town halls (including the current building). The earliest known moot hall dated from 1388. The building was in the old market square, North of the current market square. Like many early buildings the moot hall was almost certainly badly damaged in the 1528 fire. It was replaced in 1528 but according to Piercy by 1754 was in such a poor state of repair that the corporation decided to demolish it. It was replaced in 1755 by a town hall designed in the neoclassical style by Messrs White and Watson. This hall was demolished in 1868 because it had become an obstruction to traffic.

It was decided to move the town hall to a new site to the south of the current market place to alleviate the problem with traffic. The current Retford Town Hall was designed in the Italianate style on the new site by Bellamy and Hardy and dates from 1868.

Just across from the Market Square is Cannon Square which has St Swithun’s Church and a cannon captured from the Russians during the Siege of Sevastopol at the end of the Crimean War in 1856.

The cannon, supporting plinth, lamp arch and iron posts with chains are all listed (Grade II). The cannon arrived in Retford in April 1858 by rail. It was given the name ‘The Earl of Aberdeen’ and was officially unveiled on 17 February 1859 by Gunner Cole (of the Royal Artillery). It was removed during the scrap drive of the Second World War, but was rescued by Alderman Alfred Wilson. The cannon was reinstated after the Second World War, set on a new wooden gun carriage, being officially unveiled on 29 March 1950 by the Mayor of Retford, Councillor T. Richmond.

In 2006 the Sebastopol Cannon was taken away to be restored through funds raised by the Retford Civic Society and on 16 September it was re-installed and a day of celebration was held to re-enact the original arrival of the cannon in 1858. The Retford Civic Society had a replica cannon built especially for the occasion and it was paraded through the town as part of the celebration.

In 2019 The Crimea Memorial was sited in the exhibition cupboards in Retford Town Hall. It records the names and regiments of 24 local men who served in the Crimean War (1854–56).

Kings’ Park was opened on 29 June 1938, to commemorate not only the reign of King George V, but also the Coronation year of King George VI. The site for the original park occupies the land from Chancery Lane to the River Idle and was donated by Mrs M Huntsman of West Retford Hall in 1937. A public appeal by the Borough of East Retford at the time raised £2,000 towards the estimated cost of £8,000 (equivalent to £485,000 today) to develop the park.

In 1960 a further donation of land by R H Williamson to the west of the River Idle allowed for an extension to the park within the former grounds of the historic West Retford Hall, which dates from 1699 and still stands outside the north-west boundary of the park.

Kings Park has received many awards including winning the prestigious Britain’s Best Park competition in the Midlands region (2007). It also received the Green Flag Award in both 2008 and 2009, and was voted the UK’s fifth favourite park in 2014 in the People’s Choice Vote. It is described as a ‘jewel in the crown’ by Bassetlaw council.

The Park now covers some 10 hectares on either side of the Idle River, just off the town centre. In addition to formal gardens, it contains large areas of grassland suitable for ball games and picnics, a children’s water play area, bowling greens, tennis courts, skate park, children’s play ground, a performance stage, rose gardens, wildlife gardens and public conveniences.

Sloswicke’s Hospital is a Grade II* listed building founded in 1657 from money left in Richard Sloswicke’s will to found almshouses “for the maintenance of six poore old men of good carriage and behaviour to the end of the world.” The present building dates from 1806; an additional pair of houses being added in 1819.

Trinity Hospital Retford is a Grade II listed alms house, set in gardens off Hospital Road. It was established over 340 years ago through the will of John Darrell. The current building on Hospital Road was designed by Edward Blore with 1872 additions.

Consisting of a terrace of nine almshouses, which were built for £1,100 in 1823 for women of the town.

A Grade II* listed 18th century townhouse on Grove Street, which was rebuilt in its current brick and slate style by Retford M.P. Wharton Amcott around 1780. Previously, a 17th-century house belonging to the Wharton family stood on the site. Inside the current building are original features such as ornamental plasterwork ceilings and a wrought-iron staircase. From the 1870s until the 1930s the house belonged to the Pegler family, founders of the Northern Rubber Company. The building was bought by the former East Retford Rural District Council following Stephen Pegler’s death and used as council offices. In 1983 it became the site of the Bassetlaw Museum.

A large number of buildings in the Retford Conservation area are listed buildings.

There were originally two commons in Retford – Spa Common and Far Common. Today only Spa Common remains. It is located behind Carolgate, lying adjacent to the Chesterfield Canal. The common gets its name because there used to be a spa in the North East corner of the common.

Retford sits on Artesian aquifer – with rain water filtering through the Bunter sandstone. Before mains water was established, most houses had their own wells or used communal wells. One of these wells was located on what is now called Spa Common. The water from this well developed a reputation for being able to cure various ailments whether drunk or used to wash in. An article in The Retford Times newspaper (5 July 1957) that was compiled from the notes of the historian, John Piercy, noted that he had personally tried the water and said it was red in colour and tasted of ink.

J.C. Short MD, writing in 1734, says that at that time the water on Spa Common bubbled to the surface inside a handsome freestone basin which itself was enclosed in a pleasant, decorated building shaped like a pyramid. He says that the red colour of the water was probably the result of iron oxide, and that it developed a white scum on the surface when left standing, due to the presence of gypsum.

The building mentioned by Short was later demolished by John Kirke and John Hutchinson, according to Piercy, before Robert Hudson re-opened the well. This building was also subsequently demolished and today there is no trace of the spa on the Common.

A circle 30 miles in diameter drawn around Retford encompasses an area that has had an enormous global impact on Christianity. Every English-speaking nonconformist church in the world can trace its origins back to this area.

The limestone built, Grade II* listed St Michael the Archangel church, West Retford was dedicated in 1227 and sits on an elevation on Rectory Road. The oldest part of the church is the south aisle and the chapel dedicated to Oswald of Northumbria. Its outstanding feature is the octagonal spire on a square tower (a ‘broach’ spire) which is said to be an exact, early 14th century replica of the spire of St Michael at Rouen in Normandy. At that time, Lincoln Cathedral was served by Norman priests from Rouen, and as the Manor of West Retford was among the Manors granted to Roger-de-Buesli, it is almost certain that this and other churches in Nottinghamshire were designed and built by Norman architects from Rouen.

Originally, the spire was surmounted by an iron cross, but in 1855 a severe gale damaged the tip of the spire and the cross was replaced by the current weather vane. It is the crocketted spire and tower that was referred to by Pugin as “a poem in stone” and by Nikolaus Pevsner (1979) as “remarkable”. There are six bells in the tower, the largest tenor bell weighing 9cwt in A Flat is dated to 1619 and is inscribed “Jesus be our speed”, the 5th bell was originally cast in 1620 and recast in 1884 by Mr Taylor of Loughborough at the cost of £200 raised by public subscription. There is an inscription on this bell that reads “Fili Dei Misere Mei” – “Son of God have Mercy on me”. The other four bells were cast in the 19th century.

St Oswald’s chapel is the oldest part of the church. There is a carved statue of St Oswald in a niche on one of the pillars in the south aisle, which was placed there in the 19th century. The church was significantly restored in 1863 by notable Gothic Revival architect James Fowler. The window above the altar depicts St Michael and was designed by the architect William Butterfield in memory of the Rev Charles Butterfield, rector of West Retford parish from 1857 to 1866. In the small chapel at the end of the north aisle, also known as the ‘Mary chapel’, there is a reredos by Sir Ninian Comper.

Within the grounds of St Michael’s is a stone known as the ‘preaching cross’. It is thought this could be an old boundary cross (Stapleton) or a plague stone (Percy), being the West Retford equivalent to the Broadstone. During the Georgian and Victorian periods this stone sat on the top of the boundary wall before being moved to its current location in the late-19th or early-20th century.

St Swithun’s Church, East Retford is a Grade II* listed church in East Retford that is dedicated to St Swithun and founded in 1258. The church is located in the centre of town between Churchgate and Chapelgate.

St Swithun’s is of cruciform shape, now mainly of perpendicular architecture, but still preserving in its south and west doorways, and in the tracery of some of its windows, marks of earlier styles. In 1528 there was a great fire in Retford which damaged the church. In 1535, we learn that: “Where sumtyme were iiii chauntries which now er in decaye by reason they er consumed wt. fyer.” The tower and chancel collapsed in 1651 and were rebuilt in 1658. The current building is therefore largely the work of restorers of 1658, 1854-5 and 1905.

The church has a square, battlemented tower, containing a clock and 10 bells. The oldest, virtually untouched, part is the north transept, although it has now been transformed into a chapel as a war memorial. The tower is supported by four massive arches and the nave and aisles are separated by arcades of five bays. There is a stone pulpit, an eagle lectern in oak, and a large organ erected in 1841. In the north transept is an incised slab to Henry Smyth (d 1496) and Sir Whatton Amcotts (d 1807) by William Kinnard, architect. The Victorian stained glass includes work by Clayton and Bell, Charles Eamer Kempe, Michael O’Connor, Hardman & Co, William Wailes and George Shaw.

The figure over the southern door is locally said to be of St Swithun, but according to Kidson is of a bishop. He says the figure was brought from a dissolved monastery in Portugal and was given to the Church, and placed in its present position, in about 1895.

The British Museum contains several architectural drawings of East Retford Church by Samuel Hieronymous Grimm. These include a general view of the exterior, and a drawing of the tracery of the east window. There are also drawings by Thomas Kerrich (1748-1828) including a drawing of a window which used to be in the Chancel, but which no longer exists. John Buckler (1770-1851) made several drawings of the church, including one of the figure in the vesica piscis, at the beginning of the nineteenth century.

Catholics mainly worshipped in homes following the reformation and up until the 20th century, although demand for a Catholic church rose with an increase in Irish workers and Italian immigrants in the 19th and early 20th centuries. In 1895 a piece of land was purchased on the corner of Queen Street and Pelham Road and what came to be known locally as the “tin chapel” was constructed. A nearby house on Pelham Road was used by the priest.

As the Catholic community continued to expand it was decided to build a bigger church and land was purchased on the Babworth Road. The present Catholic church – St Joseph’s – opened in 1959 and was designed by Ernest Bower Norris in modern Romanesque design, incorporating Art Deco elements. The church was later reordered in 1968 by renowned Modernist architect Gerard Goalen, at which time a large sculpture by Steven Sykes was introduced. St Joseph’s is prominently located on Babworth Road and its campanile serves as a local landmark. In its Conservation Plan, Bassetlaw Council says: “The bell tower with copper roof is one of the most prominent architectural features within the entire Conservation Area.” Next to the church is St Joseph’s Catholic Primary School.

Ordsall is a village that is now a suburb of Retford. Its church All Hallows is a Grade II* listed building. The first recorded rector is in 1277. The current building dates from that period but was rebuilt in the 19th century by TC Hine of Nottingham. The church has a short, square tower with diagonal buttresses that is thought to date from the 15th century. The upper parts of the tower had to be repaired in 1823 after it was struck by lightning.

The church’s east window is by Camm Brothers of Smethwick and dates from 1877, as is the window in the north aisle east (1881). In the chancel there is a window by James Powell and Sons (Flint memorial, 1923) and another by Charles Eamer Kempe (Hall memorial, 1905). There are a number of unusual brass plates in the south aisle, dating from the 17th and 18th centuries. In the north aisle is a memorial made of Nottinghamshire alabaster with kneeling figure between Corinthian columns (c 1600–20).

St Saviour’s is a Grade II listed church in Retford at the top of Moorgate Hill. It was designed by the Lincoln architect Edward James Willson, FSA and was completed in 1829. It was the first major project by Willson and cost £4,000.

At the West End of the building are a pair of octagonal towers which have ogee shaped, lead covered, caps. The church is built in yellow brick, which has weathered to dark grey. There is a brass plaque at the church which says the following: “This first stone of the new chapel dedicated to the Saviour, and containing silver and copper coins of the reign of George the Fourth, was laid on the second day of June, AD 1828, by Henry Clark Hutchinson Esq., of Welham.” The church was restored and repewed in 1877–8. In 1936 there was a reduction in seats and the removal of the side galleries. A major reordering of the inside of the church was carried out in 2001, removing the oak pews and replacing them with individual seats.

The building seems to be far bigger than was required. BJ Biggs in ‘Looking at Old Retford’ (p14) notes: “There were 1,040 sittings and it is interesting to speculate whether they were ever fully occupied. At the time of the census of 1851 there was an average morning congregation of 300 adults and 123 children, and an average evening attendance of 400.”

The current Grade II listed Methodist chapel in Grove Street dates from 1880 and was built by Bellamy and Hardy, who were also the architects of Retford Town Hall. Its listing states that the chapel retains a high quality of architectural and artistic embellishment in both the external and internal detail. The oval galleries are an architectural expression of distinctive worshipping practice and there has been minimal alteration to the original fabric or fittings. The chapel contains flooring laid in the early 20th century, an example of the terrazzo and mosaic craft of Italian immigrant craftsmen.

Retford and its rural district contain a large number of historic churches. The area has a strong nonconformist tradition. In addition to the Methodist chapel on Grove Street there are other non-conformist chapels around the town. Some are in use as places of worship and others are now used for other purposes.

Pilgrim Fathers

The Pilgrim Fathers, a name commonly applied to early Separatist settlers of the Plymouth Colony in present-day Massachusetts originated from the villages of Babworth and Scrooby on the outskirts of Retford between 1586 and 1605. At the time they were known as ‘Separatists’ and only a few left Nottinghamshire, most stayed behind to try and reform the church from within. The Denmans were a prominent Retford family who were Nonconformists but chose to remain in Retford.

Retford’s Bassetlaw Museum was awarded £776,000 (including £450,000 of National Lottery Funding) in 2018 to create a gallery dedicated to telling the story of the Pilgrim Fathers. The gallery was opened by Dr Jeremy Bangs, director of The Leiden American Pilgrim Museum in the Netherlands, the Lord Lieutenant of Nottinghamshire, Sir John Peace, and chairman of Bassetlaw District Council, Cllr Debbie Merryweather in 2019. 53°19′20.45″N 0°56′20.57″W / 53.3223472°N 0.9390472°W / 53.3223472; -0.9390472

The Society of Friends

Retford played a role in the early history of the Society of Friends (commonly known as Quakers). In 1652(?) James Parnell converted to the faith after walking 150 miles from Retford to Carlisle and visiting George Fox in gaol. Parnell had been born in Retford and attended the King Edward VI Grammar School. He became a well known preacher, writer and advocate of Quakerism before dying in Colchester in 1656 at the age of 19(?). He was regarded as being a martyr and became known as ‘The Boy Martyr’.

Methodism

Retford was involved in the early history of Methodism, with John Wesley preaching in the town square in 1779. However, Methodism was said to have been introduced to the town by a Scot named John MacFarlane in 1776. In an article published in The Proceedings of The Wesley Historical Society (1968) p149-152 BJ Biggs records that when Wesley did visit Retford in 1779 “a mob of local rowdies” planned a warm reception, led by a certain John Willey. In the end because of MacFarlane and his supporters this was limited to the throwing of a bad egg, which missed Wesley but hit his sister. She was said to have retaliated with a torrent of abuse that made the crowd laugh.

Retford’s first Methodist chapel opened the same year as Wesley’s visit. This chapel was deemed too small for the crowd expected for his second visit to Retford when he was 83 years old. According to Wesley’s journal he preached first at the New Inn, afterwards at Newark, and in the evening at Retford. Biggs (1967) records that there is a tablet in the wall of a house in Bridgegate, marking the spot where Wesley preached under a pear tree in an orchard just over the Idle in the parish of West Retford. Moss (1908) notes that the inscription states that in an orchard on this site on the evening of 24 June 1786, a sermon was preached by the Rev. John Wesley, M.A., from the words ‘I saw the small and great stand before God’.

Biggs (1968) records that John MacFarlane fell on hard times in later life but refused a place in Trinity Hospital because it would mean he would have to attend West Retford Church saying he would not “sell his soul to the devil for a place”. Instead, he entered the workhouse, where he was known as “Johnny Mac-farthing”. Friends conducted him to the stone-laying in Newgate Street where he laid a stone. He died in 1824 and was buried in the Methodist cemetery on Grove Street.

Since the 1980s many of Retford’s long-established companies such as Jenkins Newell Dunford (engineering) and Bridon Ropes (wire rope) have closed, with the economy becoming more services-based.

Retford is an important commercial centre for the local area, with large supermarkets, many independent shops and a market every Thursday, Friday and Saturday. In 2013, Retford’s town centre had an empty shop rate of only 9%, 5% less than the national average. Bassetlaw Council refurbished Retford market square at a cost of £1.5 million as well as investing £2.5 million in Retford Enterprise Centre.

Retford has a strong economy mainly consisting of services with some light industry. Retail, health, manufacturing, education and accommodation are major employers. There is also a high representation of arts & recreational, finance & insurance jobs.

The town has a very low unemployment rates compared to the national average. In 2018, Nottinghamshire County Council calculated unemployment in Retford as follows: East Retford South (1.8%), East Retford North (1.6%), East Retford East (1.5%), East Retford West (1.3%). This compares to 1.7% for Bassetlaw as a whole and 4.4% nationally. The highest rate of unemployment in Bassetlaw at this time was in Worksop South East (3.5%) According to the ONS, 61% of people work locally (2011 Census ONS), which is far lower than neighbouring areas. Strong transport links mean that many Retford workers commute to neighbouring towns and cities such as Sheffield, Doncaster, Mansfield and Lincoln; some commute to London.

The Northern Rubber Company, which was established in 1871 by Alfred Pegler has evolved into the specialist aerospace components manufacturer Icon, employing 200+ people on Thrumpton Lane, Retford. Langley Holdings is based in Retford and owns more than 80 subsidiaries including Piller, Druck Chemie, Oakdale Homes, Protran and Claudius Peters. Langley’s subsidiaries produce components for the automotive industry, parts for Airbus wings, and supply back-up power for data centres amongst other activities. In 2012 Langley Holdings bought the sheet-fed operations of German printing press company Manroland Sheetfed out of insolvency for £140 million.

Brewing was traditionally an important industry in Bassetlaw with brewers such as Worksop & Retford Brewing Company. Retford was also an important hop market. This tradition was revived by a number of microbreweries based in or near the town including Broadstone Brewery (1999-2006), Idle Valley Brewing (2014-2018), Harrisons Brewery (2018-), Pheasantry Brewery in East Markham (2012-) and Springhead in Laneham (1990-).

Retford did not experience the large-scale industrial growth of nearby towns and remained primarily a rural market town. Historically, it traded agricultural produce, but has also been a producer of hats, sail-cloth, rope, sack bags, paper and leather.

In 1788 Major John Cartwright, the older brother of Edmund Cartwright inventor of the power loom, built The Revolution Mill on Spital Hill, near the Chesterfield Canal. The mill was a steam-powered wool spinning and weaving mill employing around 600 people. The ambitious enterprise, however, failed a few years later and the site and machinery were eventually sold at great loss in 1805. Only one building survives.

Hezekiah Clark of Derby came to work in Cartwright’s mill in the 1780s as a dyer. After the Mill failed he set up as a dyer in Retford in 1798, resulting in the business Clarks of Retford. This business gave its name to Dyers Court in Retford. The company eventually became known for its dry cleaning and laundry services, and had 138 shops before it ceased trading in the 1980s. The business is commemorated by a mural in Dyer’s Court.

The Bolham Paper Making Company made glazed papers, shop papers, boards, boxboards; other new paper mills were built in the mid-19th century, including a mill on Albert Road (1867). Foundries and iron works were also established. The Beehive Works was built in Thrumpton in 1873 and William Bradshaw set up his Carr Foundry in Albert Road which specialised in heating and rainwater pipes, gutters, stoves, fireplaces and general engineering castings. The late nineteenth century also saw the introduction of new technologies when the Northern Rubber Company was created by Alfred Pegler in 1871. The factory’s proximity to the junction of two important railways helped it prosper.

The agricultural land surrounding Retford was an important area for hop growing from the seventeenth century onwards. According to DCD Pocock, “Retford, as the most northerly hop fair in the country, was of special importance until the breaking down of traditional economic watersheds and marketing limits with the advent of rail transport”. These North Clay hops (named after the North Clay Division of which Retford is part) were considered much stronger than Kentish hops and were used in the original Nottingham Brewery’s bitter beers. At the beginning of the 19th Century 11,000 acres of hops were grown, which had dwindled to 29 acres by 1880. Hops are no longer cultivated in the area.

Women have played an important role in the economy of Nottinghamshire particularly in certain industries (such as lace making and farming). In Retford women were always economically active and some businesses relied heavily on female labour (such as Clark’s of Retford).

Until the Black Death, most beer in the UK was produced by women. The term for a female brewer is ‘brewster’. Brewing was an important industry in Nottinghamshire from hop growing, to brewing to selling beer. Nottinghamshire women have had considerable involvement in all aspects of the brewing trade, with many historic Retford pubs being recorded as having female managers.

Women-owned businesses were also relatively common in Retford. For example, Piercy mentions in 1828 that the Post Office in Grove Street is run by the post mistress Miss Elizabeth Barker. Three years later, White’s 1831 directory notes it is run by Mrs Elizabeth Taylor. The postal service seems to have historically involved women workers in Retford. Moss (1908) noted there were four deliveries of letters per day and says: “Within living memory the letters were distributed by one woman, ‘Old Betty Chapman.'”

Women are recorded in the 1831 directory undertaking a number of other trades. Mary Clark and Catherine Dean were grocers; Mary Stocks was a boat owner; Mrs Jane Taylor, Frances Holliday, Susanna Slaney and Elizabeth Wilkinson were stay makers; Faith Walker was a farmer; Margaret Holderness was a bookseller; Ellen Lawrence was a shoemaker; Mary Burley was a China and Glass dealer; Ann Appleby, Ann Colbeck, Sarah Graves, Mary Penington and Susan Penington were straw hat makers; Ann Burton, Mary Chester and Jane Walker were shopkeepers. Several Retford public houses were also run by a landlady at that time.

The first female councillor on Retford Town Council was Mrs Ellen Gentle Howell, born 1872 in Huckle in Luton, who was elected in 1926, becoming Mayoress of Retford. But it wasn’t until 1951 that a woman became a mayor of Retford in her own right – Mrs M E Williamson JP who was also the Chair of Governors of Retford High School for Girls, and who became the first woman Alderman on Retford Town Council (1961). First Female Magistrate in Retford was Miss Grace M Bradshaw who sat on the Retford Borough Bench (1933) and was also appointed to the Retford County Bench in 1934. Grace Bradshaw was also the Chairman of Governors of the County High School for Girls, Retford and secretary of the Retford Ladies Health Association.

The work of the WVS of Retford is celebrated with a plaque at Retford train station which states that between March 1940 and March 1946 they served 2,284,000 meals to HM and Allied Forces in the canteen and rest room.

Retford was historically on the Great North Road. It is now bypassed by the A1 trunk road and the A57 which links Retford to a number of major towns and cities, with London just over two hours away. The East Retford bypass was built in three stages mostly along what was previously the A57. In 1957, the West Drayton diversion opened up to the B6387 near Elkesley. Also near Elkesley and Gamston is the Retford Gamston Airport. The section from Elkesley bypass to Five Lane Ends (A614 junction) at Apleyhead Wood opened in 1958, and the third section was from Five Lane Ends to north of Checker House at Ranby (A620 junction). Recent investment led to a renovation of junctions at Blyth, Great Whin Covert and Markham Moor.

The town is also served by a number of buses operated by Stagecoach in Bassetlaw, Stagecoach in Lincolnshire, TM Travel as well as smaller local bus operators, to destinations including Worksop, Newark, Nottingham and Doncaster. Retford bus station is also the terminus of the 450 National Express coach service between Victoria Coach Station in London and Retford.

The current bus station was built and opened on 30 July 2007 at a cost of £1.4 million, and was given a highly commended accolade in the infrastructure category of the UK Bus Awards 2008. The previous bus station on the same site was a collection of bus shelters, but also allowed vehicles to drive illegally through the bus station. The new bus station has new traffic controls in order to prevent this.

Retford is served by two railway lines, the East Coast Main Line which runs between London and Scotland, with trains taking from 1hr 20 minutes to London Kings Cross, and the Sheffield to Lincoln Line which has links to Sheffield, Lincoln, Gainsborough, Worksop, Grimsby and Cleethorpes. These two lines meet at Retford railway station which acts as an important interchange in the British rail network.

Retford station was Grade II listed by Historic England in July 2020. The buildings date from 1891 to 1892 and the reason for listing was given as “the very rare survival of the original finishes in the dining room and refreshment room” which are said to be ornate and featuring “fine craftsmanship”; the “remarkably long and well-balanced composition in the Italianate style” of the station buildings and the “impressive” canopy over the platform; and the well-preserved plan form which make it “one of the most intact medium-sized GNR stations”.

Retford is connected to the UK Inland Waterways network by the Chesterfield Canal. Indeed, up to Retford the canal was built to be accessible by broad-beam boats rather than the more usual narrowboats, Retford Town Lock being the first narrow lock on the canal from its junction with the River Trent at West Stockwith. However, narrow sections now prevent such craft reaching Retford. The canal starts at Chesterfield in Derbyshire.

Although the canal was built to export coal, limestone, and lead from Derbyshire, iron from Chesterfield, and corn, deals, timber, groceries and general merchandise into Derbyshire, today it is used for leisure purposes. Based in Retford on the lower side of the Town Lock is a boat club called Retford Mariners Boat Club (R.M.B.C), which was formed in November 1978 by a group of canal enthusiasts.

The Chesterfield Canal hit international headlines in 1978. While dredging the bottom of the canal to remove rubbish a maintenance team pulled up a large chain which had a wooden plug attached to it. Later that day it was noticed that a whirlpool had formed and it became evident that the section of the canal between Whitsunday Pie Lock and Retford Town Lock was losing water. Unbeknown to the workmen, but commonly known locally, the plug was an original engineering feature of the canal to allow sections to be drained for future maintenance. The water drained (as designed) harmlessly into the nearby river Idle. The accidental removal of the plug became a national and international story, and was even recorded in Lloyd’s List.

An early Twentieth Century crane situated at Retford Wharf was Grade II listed by Historic England in 1996.

Retford (Gamston) Airport is a private airport located a few miles south of Retford in the village of Gamston, operated by Gamston Aviation Ltd.

Retford is home to the Bassetlaw Museum, which was created in 1983 and has a number of collections donated by people in the local area. The museum tells the history of North Nottinghamshire from its earliest people to the present day. Collection highlights include: Carlton-in-Lindrick knight, Anglo-Saxon boat and autochromes by Stephen Pegler. It was voted the Nottinghamshire Museum of the Year in 2009, following extensive renovation, and is based in the Grade II* listed Amcott House.

In 2002, the Heritage Lottery Fund gave the museum a grant of £78,000 to enable the purchase and digitisation of 20,000 negatives taken by professional photographers Edgar Welchman and Son of Grove Street, Retford between 1910 and 1960. The photograph collection at the Museum contains over 27,000 photographs of the towns and villages of North Nottinghamshire and people who lived there from about 1870 onwards. 8,000 general photographs from the museum’s collections have been added to the Welchman Project images.

In 2019 The Pilgrims Gallery was added as part of a £750,000 Heritage Lottery funded project to commemorate the 400th anniversary of the Mayflower’s voyage to America in 1620. The Gallery features a recreation of William Brewster’s study.

Piercy mentions a theatre situated on “the west side, and nearly in the centre, of Carrhillgate” which was built in 1789 by Mr William Pero who purchased the ground from Sir Thomas Woolaston White. Retford now has two theatres in the town: the Grade II listed Majestic Theatre, which hosts famous entertainers, music concerts from local performers and plays, and Retford Little Theatre, a smaller theatre which hosts the Retford Little Theatre amateur drama group.

The Majestic is an Art Deco building designed by Alfred John Thraves for Cyril Getliffe as a joint cinema and theatre building on Coronation Street, Retford. It opened with a stage production of No, No, Nanette in 1927. It was closed three times, threatened with demolition and has been used as a bingo hall. In 1993 it was bought by The Retford Theatre Trust and since 1996 a small group of volunteers have restored its original features. It is now Grade II listed.

Retford also had a cinema built around 1917 called The Picture House, later The Roxy, which stood on Carolgate and was also owned by Cyril Getliffe. It was demolished in the 60s.

The Regent Theatre is an Art Deco cinema opened in Carolgate in 1911 and renamed The Ritz in 1934. It closed in 1957 and the building became a Masonic hall in 1962. It can now be hired for weddings and other events.

According to Cornelius Brown, a licence was granted to John Watson and his wife in 1625 to keep a tavern and sell whisky, with a payment of £3 per annum due to the king.

The Retford area had a thriving hops industry and traditionally a large number of pubs, because it was situated on the Great North Road. White, in his 1831 trade directory, records 27 public houses and 11 beer houses, which had increased by 1896 to 56 Inns and 3 beer houses. Retford’s pubs have played an important part in its social, cultural and political history. For example, The Duke of Newcastle’s True Blue Club met in The Turk’s Head.

Many of the historic public houses are listed buildings. Historic pubs include:

In White’s 1831 directory, several of the public houses are recorded as having female proprietors, including Ann Green of the Black Head (Chapelgate), Ann Sheppard of the George Inn (Moorgate), Mary Barlow of the Granby (Carolgate), Sarah Walker of the Sun (Spittal Hill) and Ann Clarke of the Turk’s Head (Grove Street).

In 2020 the landlord of the historic Black Boy Inn in Retford removed the pub’s signage after it was highlighted on a crowdsourced map entitled ‘topple the racists – statues and monuments that celebrate slavery and racism’ during the Black Lives Matter protests. The name of the pub is said to refer to its royalist history. Charles II was called ‘the black boy’ by his mother Henrietta Maria due to his swarthy complexion and dark hair. During the interregnum, some public houses across England changed their name to The Black Boy in a show of concealed (and deniable) allegiance and because they were meeting places for royalist supporters.

Sundown Adventureland is a 30-acre children’s theme park for the under 10s situated in the Retford Rural District at Rampton. It was originally opened as a farmyard in 1968 (as’Pets Corner’) and is privately owned by the Rhodes family. The park currently attracts over 270,000 visitors a year, employs 120 staff at peak season, and in 2019 TripAdvisor voted it the 23rd best theme park in Europe. In February 2020 it was announced that the park had been granted planning permission to add 90 holiday lodges.

Retford is served by many youth groups including The Scout Association, Girlguiding UK, St. John Ambulance and Young Farmers, meeting within the town. Retford is also home to 1403 ATC Retford Squadron and Army Cadets. In addition Retford is served by a youth musical theatre group known as The MOB (mini operatic bunch) the junior section of Retford Amateur Operatic Society.

To celebrate the granting of Retford’s Royal Charter in 1246, the town holds a celebration known as Charter Day on the first Bank Holiday in May. The event celebrated its 25th Anniversary in 2018 and now enjoys tens of thousands of visitors who take part in the many events held around the town. These include musical performances, vintage car rallies, street entertainers, dance performances, dog displays, food stalls, workshops, demonstrations and a charity market. Retford Fire Station perform ‘rescues’ to demonstrate their job to the public. One of the most popular events is the annual Lions’ Duck Race, where locals and visitors sponsor a yellow plastic duck which is then ‘raced’ between two bridges on the river Idle. The money raised is donated to charity.

Since 2007 Retford has held an annual Heritage Day organised by the Civic Society. It is part of the National Heritage Days weekend with Retford celebrating its heritage with a host of activities and entertainment. Each year has a different theme, with 2014 being ‘The End of an Era’, 2015 being ‘Entertainment’, 2016 being ‘Rebels and Pilgrims’, and 2017 was ‘Dukes and Outlaws’. In 2019, the Heritage Day is planned to take place at the same time as the first North Notts Literary Festival and the start of the Chesterfield Canal Walking Festival, with the theme being the Chesterfield Canal and Retford’s working history.

Retford is home to the Rattlejag Morris Dancers who are based at the Church Hall next to Grove Street Methodist Church. Rattlejag Morris is a mixed dance side formed in January 2002. Using material initially collected from East Yorkshire as the basis they have set out to revive and develop a local dance programme based on research into dancing traditions in Nottinghamshire and Lincolnshire. They perform morris dances with rattles and sticks, broom, bacca pipe and sword dances. They “dance out” at Folk Festivals, Village Fayres, Community Events, Village Public Houses, Morris Day of Dance Events, May Day Celebrations, Charity fundraising events and more.

Retford has a tradition of ghost sightings. In 1915 an unknown correspondent wrote to The Retford Times about ghostly sightings in the 19th century. The writer reports seeing a woman wearing Georgian dress on Sutton Lane, as well as a less human-like figure on the North Road. Other ghost traditions include The Grey Lady of Ye Olde Bell Hotel (Barnby Moor), The Unfaithful Wife of West Retford Hotel, the White Girl of the White Hart Hotel. Other haunted buildings include the Masonic Hall.

Retford has facilities for flat green bowling at Goosemoor Lane and in King’s Park, provided by Bassetlaw Council, and at Hallcroft. Teams from Retford and the surrounding area (including Worksop) compete in The Retford and District Bowls League.

The Retford Town Cricket and Sports Club was established in 1850 and moved to its present ground in 1858. The club was a founding member of the Bassetlaw Cricket league in 1904, their inaugural match was against Whitwell Colliery. However, they had to wait until 1984 before they won the League Division 1A Championship. Retford has developed players who have played at County and International level, including Derek Randall.

There are a number of gymnasiums, spas, and health, beauty & fitness centres in Retford. Aquatic activities such as lane swimming, fun swims, and water aerobics are provided in the Retford Leisure Centre, as well as gym facilities. Retford also has a small skate park within the grounds of Kings Park. Walking and cycling are well catered for, with a selection of well-maintained and sign-posted routes. The 46-mile Cuckoo Way, which runs alongside the Chesterfield Canal runs through Retford.

Retford launched a men’s walk and talk group in 2021, which supports male mental health in Retford and is co-ordinated by Bassetlaw Action Centre. One walk takes place at Idle Valley, every second Saturday in the month, and another at Kings Park every fourth Saturday of the month.

Retford is home to Retford United F.C. formed in 1987 and known as ‘The Badgers’ who play in the Northern Counties East League Division One whose ground is Cannon Park on Leverton Road.

Retford is also home to Retford F.C. formed in 2015 and known as ‘The Choughs’ whose ground is the Rail Ground on Babworth Road and who also play in the Northern Counties East League Division One.

In July 2020 Retford F.C. was awarded FA Charter Standard Community Club status.

Both Retford teams have junior sides, with Retford F.C taking over Ordsall Rangers during the summer of 2019.

Babworth Rovers, a well-established junior football team, is on the outskirts of town and includes players from Retford and the surrounding villages.

Located at the south eastern edge of the town, Retford Golf Club is a private members club founded in 1921. The original six hole course was designed by Tom Williamson and laid out on 38 acres of land leased from Colonel Sir Albert Whitaker of Babworth Hall around the area known locally as Whisker Hills. Two further new holes were opened in 1958 by Sir Stuart Goodwin. In 1990 nine more holes were added. The current course provides a varied mixture of open parkland, oak-lined fairways and changes of level. It is a popular destination for golf societies from across the East Midlands and South Yorkshire areas.

The East Retford Cavalry Races were held between 1849 and 1864. On 1 April 1868, the United Hunt Committee organised a race meeting at which the Sandbeck Farmers Stakes was won by a horse named Gobbo and the Retford United Hunt Steeplechase was won by Gladiateur.

On 9 April 1877, after a gap of 10 years, meetings began being held on land owned by the 7th Viscount Galway to the north of the town (off Bigsby Road). The second meeting took place on 1 April 1878 with five races being held: the Nottinghamshire Steeplechase, The Grove Farmers Stakes, Maiden Steeplechase, Innkeepers Selling Steeplechase Plate and the Retford Steeplechase. The third meeting did not take place until 1894 due to lack of interest. Various promotions were attempted to boost attendance including train excursions and in 1898 a Tenant Farmers lunch in the Town Hall followed by a free pass to the races. The Retford Hunt Committee oversaw the meetings until 1913, with racing being suspended during WW1 until being resumed in 1921. The final meeting took place in 1928. The land was then sold off to pay the debts of the 8th Viscount Galway. The Retford Handicap was transferred to the course at Southwall and ran until the early 2000s.

Founded in 1952, East Retford Rugby Union Football Club competes in the Midlands League Division. The club celebrated its Golden Jubilee in 2002. It initially played on a pitch at Hard Moors, off Goosemoor Lane, then owned by Jenkins of Retford. A pitch at Ranby Camp followed before the club moved to Frank Wood’s field on Green Mile, Ranby. In 1966 the club entered into a long-term rental agreement with Anglian Water Authority for use of land at Ordsall Road, which has room for three pitches on flat, well-drained land. The Club purchased the majority of its Ordsall Road ground from Anglian Water in 2000. The club currently runs two senior teams and a thriving and successful junior section, from minis to under 16s, for both boys and girls.

Retford has a long running snooker league consisting of two divisions.

Retford Swimming Club represent the town and the surrounding area in the pool. The club, established in 1896, trains swimmers and takes part in competitive swimming galas against other teams in Nottinghamshire, in the Sports Centre League. Retford Swimming Club competes in Division 1 of the Sports Centre League. An annual Open Meet is held at Ponds Forge International Pool in Sheffield, hosted by the club.

Today Retford is served by Doncaster and Bassetlaw Teaching Hospitals NHS Foundation Trust. A number of GP centres, dental services, a hospital and hospice are situated in the town.

East Retford Cottage Hospital (East Retford Dispensary) was a former hospital in the town of Retford situated on Thrumpton Lane. SK 700 800 38240

Between 1939 and 1941, Mrs KL Kayser agreed to allow the upper floors of Eaton Hall to be used as a maternity hospital for soldiers’ wives who had been bombed-out of their homes.

Retford and District Hospital was built in 1922 with the foundation stone laid by the Mayor of Retford, Alderman SH Clay. At that time it comprised two wards, a private patients’ wing, an operating theatre, casualty service, and X-ray. It was extended in the late 1960s and early 1970s with two more wards, which were used for long-stay, elderly patients.

The operating theatre was closed in 1980 and inpatient services were transferred to Bassetlaw Hospital in the late 1980s. The Trust now provides a range of outpatient and community services on the site, which is also the headquarters of Bassetlaw PCT. Services include: an outpatient department, physiotherapy, speech therapy, chiropody, audiology, child health, community occupational health, community nursing/ equipment loans, continence service, dental, Genito-Urinary medicine, intermediate care and medical imaging. SK 700 800 102583

Co-located on the site of Retford Hospital is Retford Primary Care Centre which was built in 2007 and incorporates three GP practices, rehabilitation and physiotherapy departments, community nursing services and an on-site Boots pharmacy. To the rear of the hospital is Bassetlaw Hospice which was built in 1994.

During the First World War Retford had two Red Cross Hospitals for wounded servicemen. One was based at Babworth Hall and the Sherwood Rangers Headquarters hospital was at 12 Lime Tree Avenue, Retford.

The majority of the town receives its terrestrial television from the Emley Moor transmitting station, which broadcasts local news from BBC Look North and Calendar News. A minority of residents receive programming from Belmont serving Lincolnshire and East Yorkshire (to the east) and Waltham serving the East Midlands (to the south). The BBC local news programme for the latter, BBC East Midlands Today, also features news stories from Retford.

Retford’s officially designated BBC Local Radio station in terms of radio coverage is BBC Radio Sheffield. However, editorially, local news coverage is covered on BBC Radio Nottingham’s radio and Internet outlets, despite Retford being outside the official coverage area of both BBC Radio Nottingham’s FM and DAB signals. Hallam FM’s and Greatest Hits South Yorkshire’s AM signals also cover the town of Retford. National analogue FM radio services from the BBC and Classic FM are broadcast from the Holme Moss transmitting station in West Yorkshire. Digital Radio services come primarily from the Clarborough transmitter 5 miles (8 km) outside of Retford for the Sheffield and Digital One multiplexes, Clifton transmitter near Doncaster for the BBC National DAB multiplex and the Belmont, High Hunsley (near Hull) and Tapton Hill (Sheffield), Waltham and Emley Moor transmitters for the Sound Digital multiplex.

Trax FM formerly editorially covered the town of Retford, although its Ofcom designated FM coverage area only covered the Doncaster area, Worksop and rural areas west of Retford, Retford was covered on DAB via the Sheffield multiplex. It has since been replaced with a relay of Greatest Hits Radio Yorkshire on its former FM frequencies. TX1 Radio took over as a replacement local commercial service from 2020 for the same editorial area as Trax FM covered via the Internet and for a short time on DAB via the Lincolnshire multiplex which has overspill coverage into the Doncaster and Bassetlaw area.

Retford also has one newspaper serving the town, the Retford Times which is published on Thursdays. It was founded in 1869 by Alexander Watson Lyall as the ‘Retford and Gainsborough Times and Worksop Weekly News’. In 1880 it changed its name to the ‘Retford and Gainsborough Times and Worksop & Newark Weekly News’ and from 1901 it was the ‘Retford, Gainsborough & Worksop Times and Newark & Mansfield Weekly News’. In 1967 it became the ‘Retford, Gansborough & Worksop Times’ before dropping ‘Worksop’ from its masthead in 2011. In 2013 it became simply ‘The Retford Times’. It is now published by Lincolnshire Media, although the editorial offices are in Retford.

The Worksop Guardian, although predominately a newspaper serving Worksop and its area, also covers stories in Retford. The publishers of the Worksop Guardian formerly published a free weekly newspaper for Retford and Bawtry, the Guardian and Trader newspaper.

Retford cemetery is a Victorian era cemetery, with the site’s first burial dating back to 1854 (when it was built). Prior to the cemetery, maps dating back to 1835 confirm that the area was covered by farmland. It is approximately 25 acres (10 ha) in size, situated between Babworth Road and North Road. It is bounded by the Chesterfield canal (which separates the two halves of the cemetery) and has two entrances – one on North Road (the original entrance) and one on Babworth Road next to St Joseph’s church. It is maintained by Bassetlaw District Council (BDC), which has freehold ownership of the site.

The cemetery was opened in several parts. The oldest part of the cemetery dates to 1854 and was opened at a cost of £1,800. It had two mortuary chapels designed by Arthur Wilson (one Church of England and one Non-conformist) which were linked by a porch. These were demolished in the 1970s. It also had a cemetery lodge designed by James Fowler which still exists as a private home. In the 1854 cemetery is a separate Catholic cemetery. In the 1890s the town cemetery was extended to land on the other side of the canal, with the two halves linked by a bridge. In the 1950s a donation of land was made by the Catholic church to extend the 1890 cemetery. This land had been donated in 1922 by Major Milner for the burial of Catholics. Part of the land was used for a Catholic church, school and hall. The remainder was donated to extend the general cemetery, with provision for a (new) separate Catholic cemetery.

Retford cemetery contains 14 Commonwealth war graves from the First World War, and 16 from the Second World War. There is also one Polish soldier buried there.

As part of a major overhaul of secondary schools in the Bassetlaw area, all schools have now been moved to new facilities built around the town as part of the Transform Schools scheme. Retford is home to a Post-16 centre the aim of which was to unite all Sixth Form students in one site (formerly Ordsall Hall School) and provide other courses available through North Nottinghamshire College (based at Worksop). Since the spring of 2018, A Level students have returned to their respective secondary schools and now use the dedicated Post-16 centre for vocational and technical courses, as well as higher education.

King Edward VI Grammar School (Motto – Ex Pulvere Palma) opened in August 1857 and was designed by the noted Victorian architect Decimus Burton. The school traced its foundations to Thomas Gunthorpe of Babworth in 1519, although there are references to a still earlier school in the town. It was refounded around 1551 during the reign of King Edward VI. The school accepted boarders from at least the 17th century onwards, with the last boarders leaving in 1938. During the Second World War Retford took in over 6,000 evacuee children, including a number of boys from Great Yarmouth Grammar School who were evacuated to Retford (from 1940 to 1944) and taught in classrooms at King Edward VI Grammar School. The school eventually became part of the Retford Oaks Academy and moved to new premises on the edge of town, although the original Grade II listed buildings still exist on London Road.

The school donated the sledge pulled by the pony Michael in Robert Falcon Scott’s expedition to the South Pole. Scott had appealed to the school boys of Great Britain to provide funds for the expedition, and the boys of Retford Grammar School contributed three guineas, with the Head Master adding 12s 6d to round it up to the cost of providing one sledge. Scott acknowledged the donation and wrote a postscript to the acknowledgement by hand to say: “Will you please give my hearty thanks to the boys for their generous subscription and good wishes. A sledge will be called ‘Retford.’—R.S.”

Retford County High School for Girls has its origins in a meeting convened at the White Hart Hotel, Retford ‘to consider the advisability of taking steps to establish a public High School for Girls in the district’. The prime instigator in the new project was the manager of the Westminster Bank, Mr. William Oakden, who in 1891 had moved from Nottingham to Retford. He and other like-minded people wanted to provide their daughters with some form of higher education. The school eventually found a site on the corner of Pelham Road and Queen Street, adjacent to the canal. The school educated around 400 girls in the 1950s to 1970s. In 1979 the secondary schools in Retford were reorganised and the 11+ abolished. Boys were to be admitted for the first time. The result was a comprehensive school called ‘The Elizabethan High School’ under head teacher Mrs Coxon-Butler. At this time the former Hallcroft Girls’ secondary modern school on Hallcroft Road became the new school’s Lower Site and the Retford Girls’ High School became the school’s Upper Site. The former Pelham Road/Queen Street site was demolished when the school moved to new buildings in Hallcroft and was renamed The Elizabethan Academy. The Pelham Road site is now a housing estate.

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